Hrishikesh Mukherjee

Sulekha is in awe of her brother-in-law Raghavendra for his intelligence. Parimal, her husband, decides to take up the challenge of fooling Raghavendra and goes to work for him as a driver.

On his pilgrimage to a temple to immerse the ashes of his mother in the sacred river, Rakhavan befriends a tribal family. He comes across the lives of the tribal people and their struggle.

Dr. Bhaskar Bannerjee struggles with his patients' suffering and the darkness and poverty he confronts daily. He treats cancer patient Anand who upon learning of his impending death determines to use the time he has left to the absolute fullest.

Aashirwad is a 1968 Bollywood film. Produced by N.C. Sippy and Hrishikesh Mukherjee, it is directed by Hrishikesh Mukherjee. The film stars Ashok Kumar and Sanjeev Kumar.

Shekhar is new to the block and it doesn't take long before the street noise and the children playing nearby push his tolerance to the limit. To the rescue comes Mili, who has the exact opposite disposition. While Shekhar may be at a loss over what to do with her at first, he eventually falls in love.

Kalpana, a compulsive liar, believes that lying is justified for a good cause. However, trouble comes knocking on her door when she arranges dates for her siblings by lying.

A man's simple lie to secure his job escalates into more complex lies when his orthodox boss becomes suspicious.

Chandran has struggled long to find a job. Eventually, he gets a job aboard a ship that's sailing to the Andamans.

Somu and Vicky decide to exact revenge on the union leader, Bipinlal Pandey. However, when Somu understands the plight of the workers, it creates a rift between the two friends.

Karutthamma, the daughter of a Hindu fisherman, falls in love with a Muslim fish trader. However, social prejudices seem to ruin their love life and invite the wrath of their communities.

Nirmala Gupta rules her household with an iron fist. While most of her family resents it, they do comply and try to appease to her. When her daughter-in-law's free-spirited sister comes over to stay for a few days, things in the Gupta family start to change, agitating Nirmala.

Desperate for a cook, the disgruntled Sharmas are relieved when a multi-talented man, Raghu, takes up the job. However, when all seems well, the family jewels disappear and so does Raghu.

When Iqbal gets separated from his mother and brother by a flood, he becomes a coolie at Mumbai railway station. He then fights for the coolies rights and faces challenges from a businessman.

Dedicated to the memory of the great singers K. L. Saigal and Mukesh, this charming and unpretentious film offers a palate-cleansing change from the spicy “masala” epics that dominated its era, and features their superstar Amitabh Bachchan in a decidedly offbeat role.

Sandeep, a doctor, meets Devan, who is a dying patient. He gets inspired by Devan and decides to give him the best in his last few days.

Abhyankar is an orthodox head of his family, a retired police officer, he has values which he wants his family to also uphold. As a result of his values, his daughter is unable to be forthright and is unable to introduce the young man she loves. She concocts a scheme whereby her father would approve of her lover. What results is quite hilarious.

Bipinchandra breaks family tradition by marrying a city girl, Hemangini, much to the chagrin of his sister-in-law, Kadambini, and her husband, Navinchandra. Things are delicate even after both women give birth to two children each. Then Hemangini testifies against Navinchandra in Court, leading to the division of the property. Things got worse by the arrival of Kadambini's orphaned school-going step-brother, Kishan, who is beaten and abused by not only by Kadambini and Navinchandra, but also by their overweight son. When Hemangini objects to Kishan's ill-treatment, Bipin takes the side of the rest of the family, and may probably force her to abandon Kishan to his fate or divorce her.

Sunil leads a poor lifestyle along with his widowed mother, and two school-going siblings, Anu and Tikku. He gets married to Lakshmi, who soon gets pregnant. Anu graduates from school and each of the family make individual sacrifices so that she can attend college. During Diwali, Lakshmi falls down the stairs, is hospitalized, has a miscarriage, and will never be able to conceive. Sunil decides to keep this a secret from the rest of the family, but subsequently confides in his mother. When Lakshmi finds out she wants him to re-marry, but he refuses. Then Tikku is sent to live with his maternal uncle for a few days. Shortly thereafter the family will be faced with three crises as Anu prepares to elope with a wealthy fellow collegian, a death, and a theft.

A head injury causes a woman to regress to childhood. Lost and confused, she is eventually befriended by a school teacher. A Hindi remake of the 1982 film "Moondram Pirai" by the same team.

Shankar Chaudhry, a wealthy man gets married to Maya assuming she is the daughter of Ambala-based Advocate Madhusudan. He is shocked to realize that Maya and her brother Prakash have cheated him.

In ancient Rome, a mourning Jewish man raises the kidnapped daughter of Roman royalty as his own - and she grows up without learning her true identity. Years later, she falls in love with a Roman prince.

Inder, a contractor who believes in the power of money, places a bet with his friend Prakash to woo Rama, a simple girl. Rama is charmed by Inder but an event forces her to leave the city.

Four young men re-locate from a village in India, to a big city. While attempting to access accomodation, they are repeatedly told that rooms will only be rented to married couples, not to bachelors. Frustrated at this, two of them disguise themselves as women, and pose as wives for the other two males. They are able to secure accomodation with the Mishra family. Complications arise when the two "women" fall in love with Mishra's two lovely daughters - with results that can only be described as hilarious.

Anand, the grandson of a rich businessman, walks out of his home to avoid an arranged marriage. But his grandfather goes to great lengths to bring the boy back, even if it means exploiting the sore spots of Anand's newfound lady love.