The Model From Montmartre

A charming little couple is watched by the misfortune that hides under the disturbing and enigmatic features of a femme fatale.

Directed by Léonce Perret.

To fulfill her Father's wish, Grand Duchess Aurora (Huguette Duflos) is forced into an unhappy marriage with Grand Duke Rudolph (Henry Houry). He prepares to leave for the Congo but is murdered by his own brother (Georges Vaultier). Aurora goes to Paris with her father and, there, is told on the phone of her husband's death. After returning to the Kingdom, she meets a tutor (Jaque Catelain) who falls in love with her..

Ninon, a veteran stage artist, resides in her villa in Provence, surrounded by admirers as veteran or more than her. A film crew arrives at the gardens of the town to film some scenes in that beautiful spot. The director and screenwriter of the team will notice the charms of Ninon.

La Possession is a 1929 French film directed by Léonce Perret.

En route to the U.S., Joe Hoggart persuades several other immigrants to pool their money and purchase a tract of land, which proves to be rich in oil years later. With the assistance of his associate, Bill Shopps, Joe seeks to control the other investors' certificates. He travels to Spain, where he discovers that a partner named Garros has died. Joe kidnaps Garros' daughter, Rolande, and claims that she has also died. After Didier Bouchard, another member of the group, gathers the partners and their heirs together, Joe lures them into a building where, ostensibly, a sale of the land is to take place. Joe imprisons them, but they escape in time to attend the sale. An investor named Milo d'Espail learns that Rolande is still alive and rescues her from Joe. Bouchard marries Thérèse, another of Garros's daughters.

A film crew goes to a mansion to shoot a movie. The actor playing the thief is confused and is shot by the owner with a shotgun. In compensation, he is taken care of in the house and falls in love with the daughter of the owners.

Based on the dutch paintings of lacemakers of the same time - the film depicts a poor woman's strive for money to be able to marry her beloved; doing so by entering a local lacing competition.

This charming short film was shot in the Camargue, probably in the same place where Jean Durand filmed his cowboy movies. The plot is very simple. A guardian falls in love with a Parisian. Desperate, he commits suicide when she returns to the capital. But, as always with Perret, we appreciate the framing, the skilful use of the exteriors and the documentary side of life of the time. We see the young Arlesianas in traditional dress go out to collect almonds and return with their baskets to the city. The actor in the role of the guardian overreacts, imitating bombastic despair. But the finale, in which he rides a horse through the waves to find the rest of death, preserves its charm intact. Perret knows how to set the rhythm of a sequence and give it the necessary atmosphere.

While visiting a small village, popular young artist Robert Williams meets innocent country girl Helen Sanderson and, enchanted by her beauty, induces the girl to pose for him. An attraction develops between them, but just as the portrait is completed, Robert is called back to the city. Helen fails to hear from him again and Robert's neglect draws her to the city, where she is sent to a reformatory on a false charge. Once released, she begs Judge Princeton for help and, feeling sorry for the unfortunate girl, he introduces her to playwright George Wendbourg, who adopts Helen and makes her a great actress. Seeing Helen on stage reawakens Robert's love for her and he begs her for forgiveness. After initially snubbing him, Helen relents and the two finally are reunited.

Léonce and Suzanne are having a very sweet supper together. But then Leonce refuses to give her a puff on his cigarette. She snatches it and blows smoke in his face; They quarrel. Leonce regrets it, but he is locked out of the boudoir. Only when a mouse gets into her bed, terrifying Suzanne, is there any hope of reconciliation.