Léonce Perret

While visiting a small village, popular young artist Robert Williams meets innocent country girl Helen Sanderson and, enchanted by her beauty, induces the girl to pose for him. An attraction develops between them, but just as the portrait is completed, Robert is called back to the city. Helen fails to hear from him again and Robert's neglect draws her to the city, where she is sent to a reformatory on a false charge. Once released, she begs Judge Princeton for help and, feeling sorry for the unfortunate girl, he introduces her to playwright George Wendbourg, who adopts Helen and makes her a great actress. Seeing Helen on stage reawakens Robert's love for her and he begs her for forgiveness. After initially snubbing him, Helen relents and the two finally are reunited.

To fulfill her Father's wish, Grand Duchess Aurora (Huguette Duflos) is forced into an unhappy marriage with Grand Duke Rudolph (Henry Houry). He prepares to leave for the Congo but is murdered by his own brother (Georges Vaultier). Aurora goes to Paris with her father and, there, is told on the phone of her husband's death. After returning to the Kingdom, she meets a tutor (Jaque Catelain) who falls in love with her..

The young daughter of an army captain missing in action runs away from school and is kidnapped by Parisian lowlifes. When the kidnapper flees to Nice with the child, the kind-hearted employee of one of his accomplices sets off in pursuit.

Count Fernand De Keramic plots against his niece in order to acquire her wealth to pay his debts.

A photogenic Partie de campagne with Léonce looking for mushrooms! A nice prestation by Poupette Suzanne Le Bret and a nice little fantasy.

Maddened by jealousy, Jacques tries to kill his fellow worker.

A French washerwoman becomes a duchess and a friend of Napoleon.

During a transvestite ball, a young provincial meets Fanny Legrand. A great love is born between them. Later, the young man learns that Fanny was a great coquette. He leaves her, he comes back, he forgives. But when he embarks for America, Fanny does not follow him.

Pierre,a marquis, is madly in love with his dear wife Jeanne whose picture he is painting; one day while hunting in the woods, the husband accidentally kills his beloved one. He's desperate to finish the portrait so he uses other models but none of them can touch his late wife's beauty. Six months later he meets Madeleine who resembles his dear departed. It's not long before she understands her rival is a picture and she tries more and more to look like Jeanne.

La Possession is a 1929 French film directed by Léonce Perret.

This charming short film was shot in the Camargue, probably in the same place where Jean Durand filmed his cowboy movies. The plot is very simple. A guardian falls in love with a Parisian. Desperate, he commits suicide when she returns to the capital. But, as always with Perret, we appreciate the framing, the skilful use of the exteriors and the documentary side of life of the time. We see the young Arlesianas in traditional dress go out to collect almonds and return with their baskets to the city. The actor in the role of the guardian overreacts, imitating bombastic despair. But the finale, in which he rides a horse through the waves to find the rest of death, preserves its charm intact. Perret knows how to set the rhythm of a sequence and give it the necessary atmosphere.

A charming little couple is watched by the misfortune that hides under the disturbing and enigmatic features of a femme fatale.

Ninon, a veteran stage artist, resides in her villa in Provence, surrounded by admirers as veteran or more than her. A film crew arrives at the gardens of the town to film some scenes in that beautiful spot. The director and screenwriter of the team will notice the charms of Ninon.

The noble Margrave of Hess, condemns captain Christian to exile for presuming to ask the hand of his daughter Genevieve in marriage.

The innkeeper's daughter is in love, but her mother has already decided that she is going to be married to another man.

Romance between the playwright Harry Bryant and the homeless and illiterate Kate.

En route to the U.S., Joe Hoggart persuades several other immigrants to pool their money and purchase a tract of land, which proves to be rich in oil years later. With the assistance of his associate, Bill Shopps, Joe seeks to control the other investors' certificates. He travels to Spain, where he discovers that a partner named Garros has died. Joe kidnaps Garros' daughter, Rolande, and claims that she has also died. After Didier Bouchard, another member of the group, gathers the partners and their heirs together, Joe lures them into a building where, ostensibly, a sale of the land is to take place. Joe imprisons them, but they escape in time to attend the sale. An investor named Milo d'Espail learns that Rolande is still alive and rescues her from Joe. Bouchard marries Thérèse, another of Garros's daughters.

Koenigsmark is a 1935 British-French drama film directed by Maurice Tourneur and starring Elissa Landi, John Lodge and Pierre Fresnay. The film is based on the novel Koenigsmark by Pierre Benoît. It's sets were designed by the art director Lucien Aguettand. The film was known in the United States as Crimson Dynasty.

Shot on location in Paris, Monte Carlo and the Riviera with both American and French actors. When Matthew Versigny discovers that the jewels his diamond company has been buying are fake, he travels to Europe to track down the counterfeiter. With him are his sister, Marguerite and her sweetheart, Paul Bernac, who is an agent in the French Secret Service.

A 3 Part Collection of More Than 75 Early Films by Alice Guy, Louis Feuillade and Léonce Perret. The invention of cinema—and its growth into a sophisticated art form—are vividly brought to life in this massive collection of films from the early years of the influential Gaumont Film Company. Each disc is devoted to one of Gaumont’s artistic directors, who oversaw all film production at the studio, and profoundly influenced not only the identity of the studio but also the evolution of the cinema itself.