One One

We're just trying to open the chains. Each morning, trying to be open and break the chains.

From this world to the next

The infinitesimal in the infinite reflection of a camera recording. We touch and we make the sun: we make time.

From Winnipeg to Paris, from Montreal to the Philippines, the dash between "Filipino-Canadian" becomes a minus.

Two friends walk and draw circles. It is what it is, idizwadidiz, c’est ce que c’est, seskecé. Nice weather.

Kanye takes the mic, Isiah takes the stand

Being is the same as thinking. How many ways of saying this same thing are there?

A silent flicker film that mixes digital and celluloid. Its only available description is the letters 'kd'.

88:88, —:—, flashes, demonstrating those who live in poverty live in suspended time.

Demand full automation, demand a reduced work week, demand universal basic income, destroy the work ethic.

Trees, farm fields with animal livestock, ponds and plants, and natural artefacts disappear in the flicker effect of landscape compositions where sweeping branches carve moving structures into the viewer’s memory, and the transformations of living image threads remind us of the inexhaustible visual exuberance of meadows and grain.

Processed with conventional photo chemicals and the following flowers: magnolia blossoms, hyacinth, hydrangea, daffodil, rhododendron, pond algae, lilac, oregano (with blooms), comfrey (with blooms), roses, mint, goldenrod, hostas buds after flowering, and wild garlic seeds (a bowlful).

clipping, noise, and other distortions are encounters with the threshold of photographic realism. the inner-workings of the systems we employ to generate adequate representations of the world become represented themselves in their failure - Isaac Goes

vulture sets its sights on farm animals, their surrounding flora, and the farming process. Static shots and slow-moving zooms follow the grazing animals in their minute inter-species exchanges. When left to roam together, the sensibilities of these "beasts" are allowed to surface.

The tranquility of this film stretches the information of frames into the rays of a new sun, and desaturate and increase the contrast of frames to conjure up new stars.

After school the debt remains. But knowledge has always preceded it and will surely outlast it. This claim continues to prove itself with the tranquility of Fare Well (2012)) —which stretch the information of frames into the rays of a new sun, and desaturate and increase the contrast of frames to conjure up new stars