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A family of six's fresh start on 1990s Vancouver Island unravels as their youngest child, Sasha, witnesses the increasingly dangerous behavior of her older brother, Jeremy.

The speculative tale of Canadian outsider musician Lewis and the belated discovery of his 1983 album "L'Amour". A love story composed in myth and song.

A crew of friends joyously embark on making their first movie by attempting to capture the annual tradition of the “Hit to Pass” demolition race in Prince George, British Columbia. The nature of friendship, storytelling, and the long shadow of colonialism reshape and upend their ambitions.

After fleeing his unstable home, an adopted teenager and his only friend abduct and violently assault a younger boy. As night falls, their lives begin to unravel.

Rita Ferrando similarly considers her family’s history of migration by way of archival fragments and a conversation across time with her artist grandfather.

A young man finds himself oscillating between the dreams, premonitions, and thoughts belonging to a series of enigmatic women in New York City.

A young man rents a new apartment amidst a breakup

Mars Brito, a trans bike courier, is killed by an SUV. Is he the victim of an accidental 'door prize', or is this murder? His case becomes a city-wide obsession, with hourly true crime updates and rewards for clues. While this murder mystery unfolds, a Toronto trans activist (also named Mars) works with his friends on an operatic memorial, creating arias for each of the 375 trans murders that were committed around the world that year. Door Prize weaves together documentary, drama, and opera scenes into a hybrid film that explores issues of media spectacle, solidarity violence, trans visibility, and anti-trans violence.

Letters from Tibet follows an exchange across time between a British colonial officer and a contemporary archivist. Tracing how Tibet has been framed through colonial correspondence, photography, and cinema.

It is deep autumn — I wonder I never thought I'd be lost and searching for one warm, friendly smile — but I got me some people and I know that they love me And I know just where to look this time. "Here is my music. It is all I have to tell you how I feel. Know that your love keeps my love strong." —Stevie Wonder

Set in the aftermath of a large-scale disaster, a small group of people remain behind in search of lost sons and new worlds. Two lovers, River and Lill, fend for the future of their bond whilst mysterious entities stalk the countryside, hungry for humanity’s lifeforce.

Ryland Walker Knight’s Mann’s Sparks is a hypnotic essay film that stitches together footage from Michael Mann’s iconic filmography with Beach House’s 2015 album Depression Cherry into an editorial masterstroke. As much as the film stands as a testament to Knight’s craft as editor, it also acts as a thematic dialogue between the dream pop band’s music and the images by one of cinema’s greatest auteurs, spanning Mann’s work from Thief (1981) to Blackhat (2015). It’s a mesmeric work, both visually and sonically, acting also as a document of Knight’s own development as an editor after suffering an injury and using Mann’s footage and the band’s album to relearn how to edit. Mann’s Sparks is a spellbinding celebration of cinematic language and how it can be reused, relearned, and reimagined into new possibilities.

Jean-Paul, recently injured at work, spends his days praying in Montreal Churches and his nights dancing in a strip club. The film portrays a slice of JP’s life, showing his resilience in coping with pain and his faith in the beauty of life.

I go to Movieland at least once a week, every week, for the last five years to sink some quarters into the games and the Movieland movie is an accumulation of the friends, lights, textures, and narratives that I have experienced in that time. I love Movieland!