Isiah Medina

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After school the debt remains. But knowledge has always preceded it and will surely outlast it. This claim continues to prove itself with the tranquility of Fare Well (2012)) —which stretch the information of frames into the rays of a new sun, and desaturate and increase the contrast of frames to conjure up new stars

The philosopher is a child born under the divorce of being and thinking.

clipping, noise, and other distortions are encounters with the threshold of photographic realism. the inner-workings of the systems we employ to generate adequate representations of the world become represented themselves in their failure - Isaac Goes

From Winnipeg to Paris, from Montreal to the Philippines, the dash between "Filipino-Canadian" becomes a minus.

The tranquility of this film stretches the information of frames into the rays of a new sun, and desaturate and increase the contrast of frames to conjure up new stars.

Processed with conventional photo chemicals and the following flowers: magnolia blossoms, hyacinth, hydrangea, daffodil, rhododendron, pond algae, lilac, oregano (with blooms), comfrey (with blooms), roses, mint, goldenrod, hostas buds after flowering, and wild garlic seeds (a bowlful).

We're just trying to open the chains. Each morning, trying to be open and break the chains.

vulture sets its sights on farm animals, their surrounding flora, and the farming process. Static shots and slow-moving zooms follow the grazing animals in their minute inter-species exchanges. When left to roam together, the sensibilities of these "beasts" are allowed to surface.

The clean 16mm image is processed normally in a lab, but the tinting and toning was done via 'green' processing with flowers. The shooting and hand developing with flowers was done by Philip Hoffman. It was scanned and then digitally edited by Isiah Medina.

Trees, farm fields with animal livestock, ponds and plants, and natural artefacts disappear in the flicker effect of landscape compositions where sweeping branches carve moving structures into the viewer’s memory, and the transformations of living image threads remind us of the inexhaustible visual exuberance of meadows and grain.

Two friends walk and draw circles. It is what it is, idizwadidiz, c’est ce que c’est, seskecé. Nice weather.

As he mulls over the budget for his new film, director-gangster Clem sends his artist cronies after an old comrade rumoured to be a leaker.

From this world to the next

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An old building in Venice hosts an exhibition. A visitor walks through empty rooms discovering a fictionalized architectural space that functions like an abandoned theatre set. Inspired by Alexander Kluge’s oeuvre, this exploration attempts to de-construct the subjective experience and liberate the cinematic energy from the horror vacui of the display.

88:88, —:—, flashes, demonstrating those who live in poverty live in suspended time.

Demand full automation, demand a reduced work week, demand universal basic income, destroy the work ethic.

A painter plots a heist to steal back his own painting from the same museum vault where a filmmaker is shooting their next project.

A silent flicker film that mixes digital and celluloid. Its only available description is the letters 'kd'.

Being is the same as thinking. How many ways of saying this same thing are there?

No description available.

During a period of exuberance and uncertainty, a group of artists and critics grow into new ideals and ways of thinking, as the old forms are no longer satisfying.

The infinitesimal in the infinite reflection of a camera recording. We touch and we make the sun: we make time.