Moscow Shanghai

Young Jan Bergwall visits his grandmother, the so-called centenary, at Woyland Castle. There he meets his cousin Andrea, who everyone calls "Fundvogel". Jan is fascinated by the young girl's beauty, and soon there is an erotic tension in the air between the two. Although they both have strong feelings for each other, they are afraid to make a commitment, even though their domineering grandmother is determined that they marry. Panicked that he might feel obliged to marry Andrea, Jan escapes from this place. Andrea is deeply disappointed and seeks revenge. Out of spite, she becomes involved with the falconer Bartel and is later raped in a wooden hut. The centigress, concerned about morals and customs, then sends Fundvogel to a convent. She escapes from there and flees into the arms of Jan. When he learns from a letter from the countess what has happened to Andrea, he leaves her a second time. In her despair, Fundvogel then throws herself off a bridge into the floods with suicidal intent.

Thomas Bezug, the richest man in the world, is a solitary, domineering and cruel cripple, who hardly can move on his crutches. He dwells a fanatical love for his son, whom he holds like a monkey in a cage. His servants are defaced dwarfs. His secretary is trying to steal Bezugs assets. These are the night people.

A small banking family is put to the test: Brigitte, the wife of the banker Sparrenberg, has a secret: she was once the lover of the fraudster Baron Gaffris, who once used her to get close to well-off businessmen. Now Gaffris is trying to use her to trick her husband. After a fight between Brigitte and Gaffris, Brigitte’s daughter Ina seeks out the baron in an attempt to help her mother. Afterwards, the baron’s suddenly found dead on the floor. Brigitte takes all the blame, goes to the cops and admits to having stabbed Gaffris.

A renowned actress rescues a small theater, which is on the verge of bankruptcy.

Walter Gruber once belonged to a group of unscrupulous, money-grubbing poachers. Now released from prison, he is determined never to touch a gun again. He was imprisoned for poaching, but they couldn't prove he fired the shot that wounded forester Kuhnert. Upon his return home, Walter is horrified to discover that his former lover, Kuhnert's daughter Grete, has since married someone else. Grete still loves Walter, with whom she was pregnant. But her father would have made life a living hell for her and the child had she not married another man. This man, Robert Thiele, is still poaching and is extremely ruthless in his methods. Robert eventually blackmails Walter into rejoining the poachers. When the gang shoots the old forester Kuhnert, Robert shifts suspicion onto Walter.

Die Weber (1927), a rousing German tale of the 1844 weavers’ revolution.

In 16th-century Prague, a rabbi creates the Golem - a giant creature made of clay. Using sorcery, he brings the creature to life in order to protect the Jews of Prague from persecution.

Nuremberg durting the time of Albrecht Durer and the famous geographer Martin Behaim: the locksmith Peter Henlein is looking for a way to make bullets more accurate by designing a new form. Just as he welds together two round balls into an elongated shape, he believes he's discovered that his assistant Konrad is trying to alienate his wife from him. There is a struggle, during which Henlein's new kind of bullet strikes him in the chest. The doctor, unaware that there are two bullets lodged in his body, because there was only one shot, only removes one.

King Frederick II (aka "Frederick the Great") of Prussia is engaged in a major battle against the Austrian army at Kunersdorf, and things aren't going well. The Austrians are inflicting major casualties, and his army is beginning to crumble. Defeat seems inevitable when a combination of events gives him hope that he may pull victory from the jaws of defeat after all.

A moving actor at the rococo era shows the power-hungry-crude minister of a small state prince in the barriers, while he makes use of his resemblance to the sovereign and slips in his role. - Double role for Rudolf Forster who plays his figures very much chilly.

This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

The story of Madame DuBarry, the mistress of Louis XV of France, and her loves in the time of the French revolution.

The Ethiopian King offers his daughter to a powerful Pharaoh to secure peace between the two countries.

Hanns Heinz Ewers' grim science-fiction novel Alraune has already been filmed twice when this version was assembled in 1928. In another of his "mad doctor" roles, Paul Wegener plays Professor Brinken, sociopathic scientist who combines the genes of an executed murderer with those of a prostitute. The result is a beautiful young woman named Alraune (Brigitte Helm), who is incapable of feeling any real emotions -- least of all guilt or regret. Upon attaining adulthood, Alraune sets about to seduce and destroy every male who crosses her path. Ultimately, Professor Brinken is hoist on his own petard when he falls hopelessly in love with Alraune himself. Alraune was remade in 1930, with Brigitte Helm repeating her role, and again in 1951, with Hildegarde Knef as the "heroine" and Erich von Stroheim as her misguided mentor.

Prague, Bohemia, 1820. Balduin, a penniless student, falls in love with Countess Margit, a wealthy noblewoman whom he has saved from drowning.