Six Days in June

Dink Tucaković's short horror film with gothic elements

An exiled filmmaker finally returns to his home country where former mysteries and afflictions of his early life come back to haunt him once more.

Through the conversation with Yugoslav film authors and excerpts from their films, this documentary film tells a story of a film phenomenon and censorship, and its focus is, in fact, a painful epoch of Yugoslav film called “a Black Wave”, which was the most important and artistically strongest period of Yugoslav film industry, created in the sixties and buried in the early seventies by means of ideological and political decisions. The film tells a great “thriller” story of the ideological madness which characterised the totalitarian psychology having left multiple consequences felt up to our very days. It stresses similarities between totalitarian regimes defending their taboos on the example of the persecution of the most important Yugoslav film authors. Those film authors have, however, made world careers and inspired many later authors. The film is the beginning of a debt pay-off to the most significant Yugoslav film authors.

Visual artist Rastko Ćirić, professor of Illustration and Animation at the Belgrade Faculty of Applied Arts and horror and science fiction writer Goran Skrobonja, inspired by the titles of songs the Beatles never released, set out to write lyrics and music in the manner in which the Beatles would have done it. They then decided to record the album with their songs. In 1995, the band, named The Rubber Soul Project (in honor of the 30th anniversary of the Beatles Rubber Soul album), was formed.

When the war in Yugoslavia breaks out, an army officer who's ethnic Slovenian yet still believes in Yugoslavia, decides to move to Belgrade. The country continues to fall apart and so does his family failing to find acceptance there.

The story behind and around famous American director Nicholas Ray's 1960s stay in SFR Yugoslavia. The celebrated director who was the toast of Hollywood only a decade earlier having made Rebel Without a Cause has fallen on hard times and is now desperately trying to re-establish his spiraling film career. On the other hand, his powerful host, Avala Film director and former Yugoslav secret service operative Ratko Dražević, is dreaming big dreams - he is trying to establish a 'Hollywood behind the Iron Curtain' of sorts.

Zelimir Zilnik has always been discussing the communist's regime taboos , with his early documentaries , but especially with his film about the student's riots in 1968: Lipanjska gibanja (June Turmoil). His featured film Rani radovi (Early Works) got to trial, because it made important politicians, including Tito himself, very angry. However, it was free of all charges, thanks to the really honorable judge. The Golden Bear, the prime award of the Berlin Film Festival, was given to Zelimir and it was interpreted as the biggest provocation for socialist Yugoslavia. Therefore, the film was put away for years and was not available for the audience.