Alma Prica

A story about a forbidden love set in a village threatened by swollen rivers. Upon his return home for his father’s funeral, Slaven revives his relationship with his childhood friend, a young sportsman named Marko, his teenage love, and the reason his father kicked him out of the house. Now tempted to reunite, they need to make peace with their own decisions and struggle against the family restraints.

A young man finds a way to spend his last few days of freedom before joining the army. Set in eastern Bosnia in summer of 1968.

In the mid-1950s, an unnamed convict succsesfully manages to escape from the Goli Otok prison island, seeking shelter in a monastery on the nearby island of Rab and striking a kinship with one of the nuns in it. A few days later, an agent of the Yugoslav State Security Service arrives on the island, desperate to find the man's whereabouts. The nuns and the monks face a decision of their lifetime. Are they going to turn the wounded man they know nothing about to the authorities, or will they continue concealing him and risk their lives in the process?

A young and successful copywriter Alan Despot, after trying in vain to renew a broken relationship with his girlfriend, goes to the island of Vis and finds himself torn between his eccentric father, another ex-girlfriend and her fiancé. New situations and circumstances help Alan to view his own life from a new perspective.

A community nurse Ema comes to work in a small village in the lowlands as a replacement, where she discovers the diary that her antecedent left behind, thus finding out more about the ill children she cured and the secrets of this sleepy settlement.

A young pianist joins the partisans because he decides not to play for the Germans before the scheduled concert. By taking a random path, guided by his conscience, he was initially accused of being a spy. The young pianist will feel a certain uneasiness among the partisans all the time, thinking that the task of the moment is only a direct struggle with the enemy.

Based on the motifs of Slavko Batušić’s play Chamber Trio, the main characters are sisters Julia and Regina, and Regina’s husband Marcel, in the vortex of an intimate and psychological drama of unresolved marital relations.

Sitting in a restaurant representing the waiting room to the other world, a tired old man watches the patrons who represent him and his immediate family during the important moments of his life. Moments that have impacted him and the family, and have turned him into a man he was at the end of his life. The old man is forced to look these events in an objective way, observe them from the sidelines, as the judge and jury of a tragic life filled with regret, bitterness, and bad decisions. At a certain point, it becomes clear that the old man has actually died and is watching his own life.

April 1992. Members of a large family strewn around the former Yugoslavia gather around the death bed of their elderly matriarch. She is not well, but the forecast of a family doctor that her death is a matter of minutes away proves incorrect, so the waiting stretches out for days. Relatives start bickering, playing tricks and arguing over the inheritance to be left by the old woman, especially over her large family house in Sarajevo. Despite her deteriorating health, Grandma happily joins the fray. It appears as if that might be what is keeping her alive. Family feuds and intrigues directed against one of the sisters are more important to the family than the clear, terrifying signs of an approaching cataclysm. When the scheming is finally revealed, it is too late. A war has begun in Sarajevo.

A story about suicidal general, a minister in the Croatian government who voluntarily locks himself inside a prison cell, and 4 pensioners, who steal the coffin with the remains of the late Croatian president.

Thirteen European directors explore the theme of Sarajevo; what this city has represented in European history over the past hundred years, and what Sarajevo stands for today in Europe. These eminent filmmakers of different generations and origins offer exceptional singular styles and visions.

Martina starts a relationship with Filip, a young man who spends most of his time playing video games. After Martina convinces Filip to steal her father's money to go to the Party Beach, everything turns into a bloody nightmare.

In the early 1920s, filmmaker and cabaret director Karlo Armano meets a mysterious woman who only calls herself Dora. After a night of passionate romance, he wakes up to find her missing and goes on a quest to find her, soon realizing that the woman he had fallen in love with is none other than famed composer and autonomist Dora Pejačević.

Firmly believing her own life is no more precious than the lives of the innocent people being persecuted, with the help of a few friends, Diana embarks on a perilous campaign of rescuing more than 10,000 children from the Ustasha camps in Nazi-occupied Croatia.

Story about people and their destinies, frustrated by war traumas who try to erase memories of their past.

In order to recover the body of her son lost during the war in Bosnia, a grieving, but strong-willed Muslim woman, Halima, must track down her estranged niece, who we find carries a mysterious connection to him.

A razor sharp comedy all about relationships and red tape. Kreso is at a loose end. A fully qualified biologist, he's about to hit middle age, disillusioned, out of work and stuck in a marriage that should probably never have started. At least his son still looks up to him. Meanwhile, the country's cash-strapped government is busily looking for unique ways to save money, and now, over 20 years after the 1990's war, sets its sights on the widows of fallen soldiers. Anyone unmarried but in a new relationship will no longer be allowed a military pension. Enforcing such an unpopular measure requires a new department: The Ministry of Love, whose purpose will be to gather information on any widows breaking the new law. With nothing to lose, Kreso agrees to be put forward by his pushy father in law. The only problem is, together with his eccentric partner, Sikic, he's completely the wrong man for the job.

Set amid the atrocities of war in the Balkans, Witnesses is retold, Rashomon-style, from various characters' viewpoints, adding new information about the complexity of war and humanity. Beginning inside a rustic house with a woman in black (Mirjana Karanovic) standing beside her husband's coffin, Witnesses interweaves the stories of a small town confronting ethnic hatred and deep moral ambiguities.

In this politically charged drama, the turbulent times just following Marshal Tito's rejection of ties to Moscow comes to life. Interestingly, even in the first few years after the Yugoslavian leader's death, the subject matter of this film was considered too hot to handle, and the director had to appeal to the courts for permission to shoot it. In the story, Martin is a schoolboy with a sense of the absurd and a willingness to use ridicule to amuse himself and his classmates. He has an uncle who is high up in the nation's bureaucracy who protects him and his grandfather now that his father has died. His grandfather is too stubborn to give his farm to the local farming collective, and Martin himself is in hot water with the principal for making fun of his girlfriend, one of the students at the high school. However, as long as the uncle is able to protect them, they remain out of hot water.

The painful challenges experienced in the life of a farmer from Zadar, Croatia, in the years from World War I to World War II.

In the midst of the rising political tensions of the former Yugoslavia, a young man stumbles across evidence that might prove that his grandfather, who had been labled as an enemy of the state and sentenced to a prison camp, was actually been innocent all along.

After her husband's death in Germany, an attractive young widow leaves his native village in Herzegovina to work abroad. There she starts an affair with an Italian worker that proves to be unsuccessful, yet she gets pregnant. She does an abortion, which is followed by another blow - her godfather Luka steals her hard-earned money.

In the Autumn of 1991 Croatia is fighting for independence and the capital Zagreb is plagued by air raid alerts and blackouts. Hela Martinic is a reporter, who returns to her home town from Australia, called by her old friend Vera Kralj. Soon after arrival, she is told her friend was killed in a traffic accident. At the funeral she meets some people who Vera was involved in some sinister activities and she begins her own investigation.

Dracula: The Series is a short-lived syndicated children's horror television series developed by Glenn Davis and William Laurin, about Count Dracula (aka Alexander Lucard; A. Lucard, if you will) and his struggles with Gustav Helsing, Gustav's young nephews Max and Chris Townsend, and schoolgirl Sophie Metternich, with whom Chris develops romantic feelings. The series formula is relatively straightforward, with the four heroes learning of some nefarious plot by Dracula and setting out to foil it, with some success. In keeping with the novel, but not most media lore, vampires can travel in sunlight but lack their abilities. Anyone bitten just once by a vampire transform into a zombie-like servant; this process is preventable by applying holy water to the bite.

The four private episodes connect several people who keep appearing, such as Inspector Danilo and his assistants. The first case begins when the conductor of a night tram at dawn discovers the body of an unknown man under the underpass ...

The extended version of the eponymous film served as a TV mini-series. The plot is centered in the city of Karlovac in 1992, during the Croatian War of Independence. The front lines, where Croatian and Serbian forces fight each other, lie near the city. Meanwhile, in the city of Karlovac, a Serbian civilian Vasić is murdered. The story follows the local police officer Barbir (Dražen Kühn), who tries to solve the murder in spite of ethnic hatred and war revolving nearby.