Gute Nacht, Mary

An operetta directed by Herbert Maisch.

Tina Camphausen has three children, Christian, Schwänchen and Musi, who has grown up for 15 years without a father. The family leads a peaceful life together with Paul, the woman's partner whom the children have accepted. Cohabitation is tested when Felix makes his appearance, Tina's childhood friend and Christian's probable biological father.

A man supposed to be dead returns from the US to save his family land, resist a rival's attempt to frame him for a shooting, deal with an odious banker, and make sure the heroine finds the right husband.

Miss Annemarie Tessmer is a clerk in the house of the manufacturer Herman Schilling and she is indispensable. She is exploited by all the family members and her own life is completely in the background. Herman Schilling wants his daughter Thea merry with the representative for foreign affairs Dr. Richard Rauch. However, after a number of dramatic complications, Richard chooses for the good, selfless and hardworking Annemarie.

Two female agents from a rival gang are sent to disrupt the operations of a gold-smuggler's caravan in Africa.

While on tour somewhere in Italy, a famous German pop singer loses his voice. All tickets for the concerts have long been sold out. Someone from the "Star's" entourage finds a young local guy who used to walk around the city singing in a very similar voice. From then on, the pop star stood on stage in front of the microphone, only opening his mouth, while the unknown street singer sang for him, standing in front of the microphone behind the scenes. At the end of the film, the star's voice returns, and he begins to sing solo and in a duet with the young singer.

The setting is Lugano (Switzerland), where an apparently very important world conference takes place. The film tells the story of the young Kitty (Hannelore Schroth), who works as a manicurist at the Eden Hotel, and who in the course of events gets to know both a young journalist (Christian Gollong) and the English minister of economics (Fritz Odemar). A lot of wild mix-ups, comic situations, a love story and occasional singing ensue, and in the end most of the VIPs have gained their share of laughter… There’s also a great performance by Paul Hörbiger as the hotel porter. For a 1939 film made in Germany, “Kitty” is remarkably irreverent and satirical about politics.

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.

Der Florentiner Hut (The Leghorn Hat), a 1939 German film directed by Wolfgang Liebeneiner

Writer Johannes Pfeiffer who goes undercover as a student in a high school after his friends told him that he missed out on a great life experience since he was home schooled.

Peter's fiancee Maria is chronically lying and hides her little affairs. To change this, Peter bets that he is going to tell everyone the truth for 24 hours. The consequences are catastrophic.

The daydreaming tailor Wenzel is fired from his job, because the fancy frock he was supposed to cut for the mayor, he instead made for himself. He is allowed, however, to take the frock, which he appropriated for himself and he puts it on as he leaves the shop. A puppeteer picks him up in his coach and addresses Wenzel as "Count". So is he received in Goldach, where people think he is Count Stroganoff, the ambassador to the Czar of Russia.

Three men want to escape their troubles with women by taking a boat tour on the Rhine river.