The Undertaker

A convent organist escorts a young lady who has been boarding there,home to be married, but various romantic complications ensue.

A customer (Karl Valentin) tries to buy a record in a record store but can not decide what he actually wants. The saleswoman (Liesl Karlstadt) tries to help him – which is in vain, as the customer eventually damages various records and even a complete cabinet during his visit.

Together with his uncompromising friend Marie Girard, André de Lurvire clamors for moral reasons for the closing of the Bal Tabarin, a famous Paris cabaret. So, imagine André's reaction when he... inherits the joint! But, following the seductive schemes of Cora, Tabarin's sultry star, Lurvire gradually lowers his guard, discovers the good life and abandons his wife.

A young woman poses as a boy to ingratiate herself better with her strict aristocratic grandfather and to get him to better accept the new freer ways of the younger generation.

KAREL LAMAČ (1987-1952), who worked in Germany for a long time, was forced to leave for France and then Great Britain before Hitler's fascism, where he continued to direct films. His film Švejk is Destroying Germany from 1943 was created under the influence of wartime circumstances and was intended mainly for a British audience. Perhaps this is also why the tone of the original Czech hero of Hašek's humorous original deviates from his traditional way of portraying him. He transfers him to the wartime reality of the time and, through a series of coincidences, makes him a military servant of the Gestapo commander, which gives Švejk the opportunity to save many people from deportation to concentration camps. Lamač is therefore not driven by the motive of an authorial interpretation but rather by the need for propaganda. This is also emphasized by Foreign Minister Jan Masaryk, whose opening words were added to this comedy in 1947, when it was released into Czechoslovak film distribution.

Hospital orderly Rozruch, denied his therapeutic treatment, is mistaken for Dr. Marek at the insurance office and sent to a spa. Councilor Pěna, plotting to wed his mistress after his daughter Heda’s marriage, also arrives. At the spa, impostures collide, identities are exposed, and hidden motives and loyalties come to light.

After a young man is arrested for a crime he didn't commit, the daughter of the local tavern owners must spring to the rescue.

Film by Karel Lamac.

The daughter of the Parisian countess Lafitte, named "Baby", is supposed to go to an English boarding school, but she's much more interested in variety shows. Nevertheless, she travels with her friend Susette to London, who also wants to make a career for herself as a showgirl. During the journey, Baby is mistakenly considered to be a showgirl and she does nothing to dissuade two young English lords from believing so. The girls continue to live under false pretenses even when they arrive in England, with Baby being a soloist with the group "Babies" and Suzette passing herself off as the Contessa Lafitte for school exams. At the end -- a double marriage.

Im weißen Rößl (English title: White Horse Inn or The White Horse Inn) is an operetta or musical comedy by Ralph Benatzky and Robert Stolz in collaboration with a number of other composers and writers, set in the picturesque Salzkammergut region of Upper Austria. It is about the head waiter of the White Horse Inn in St. Wolfgang who is desperately in love with the owner of the inn, a resolute young woman who at first only has eyes for one of her regular guests.

Alena Skalická, the owner of the "Krásná skála" estate, returns to the property after years abroad to take over its management herself. Her uncle Skalický and Engineer Miloš Miláček, who have managed the estate until now, are planning a grand welcome. The gamekeeper, Štětivec, is set to deliver the welcoming speech, and Head Forester Eisenkulka is rehearsing him. Štětivec’s wife, the sharp-tongued Barbora, is terrified that her Matěj might do something foolish.

The lawyer, Dr. Werkmann, is seeking a legal separation for Mr. Bernhof, who claims his wife is an incorrigible gambler. In reality, it is he who is the weakling; and while he dearly loves his wife, he's going through her fortune like there's no tomorrow. His wife, however, loves him dearly, too, in spite of his faults and doesn't want the marriage to end. Dr. Werkmann proposes something at a family meeting, which just might save the marriage after all.

Professor Grant signs a contract with Dr. Selin for the sale of his invention of cold light with the plans for his invention being kept in Grant's apartment. The negotiations are secretly heard by the illusionist Durk, who wants to seize the invention. A few days later Selín is found dead, killed by a light bulb filled with poisonous gas. Durk performs at the birthday party of Grant's daughter Anna and seizes the plans for the invention.

Tommy Fikejs and Ferda Říha, two perpetual students, are completely broke. They are up to their necks in debt, their landlady is kicking them out, and there is no hope of securing another loan. Tommy does have a wealthy uncle—an automotive tycoon—but the man refuses to be "touched" for money, whether by persuasion or coercion, despite Tommy bombarding him with pleading letters.