Meet the Sister

A customer (Karl Valentin) tries to buy a record in a record store but can not decide what he actually wants. The saleswoman (Liesl Karlstadt) tries to help him – which is in vain, as the customer eventually damages various records and even a complete cabinet during his visit.

Together with his uncompromising friend Marie Girard, André de Lurvire clamors for moral reasons for the closing of the Bal Tabarin, a famous Paris cabaret. So, imagine André's reaction when he... inherits the joint! But, following the seductive schemes of Cora, Tabarin's sultry star, Lurvire gradually lowers his guard, discovers the good life and abandons his wife.

Professor Bock is to inaugurate the museum, the construction of which was donated by a generous patron who remains anonymous. He learns that it is his brother's wife, a former dancer, and whom he hates. But her daughter falls in love with Jim, the son of the ex-dancer, and everything will work out.

KAREL LAMAČ (1987-1952), who worked in Germany for a long time, was forced to leave for France and then Great Britain before Hitler's fascism, where he continued to direct films. His film Švejk is Destroying Germany from 1943 was created under the influence of wartime circumstances and was intended mainly for a British audience. Perhaps this is also why the tone of the original Czech hero of Hašek's humorous original deviates from his traditional way of portraying him. He transfers him to the wartime reality of the time and, through a series of coincidences, makes him a military servant of the Gestapo commander, which gives Švejk the opportunity to save many people from deportation to concentration camps. Lamač is therefore not driven by the motive of an authorial interpretation but rather by the need for propaganda. This is also emphasized by Foreign Minister Jan Masaryk, whose opening words were added to this comedy in 1947, when it was released into Czechoslovak film distribution.

One of the popular Weimar-era musical comedies not released in the US until after the Nazi takeover, this one has a Cinderella-type plot.

After a young man is arrested for a crime he didn't commit, the daughter of the local tavern owners must spring to the rescue.

Film by Karel Lamac.

Young Anny returns from school to her circus family, which runs a little venue at the town fair. When Anny suddenly has to fill in for one of the artists, her piano-playing not only enthrals the audience, but also theatre agent Horbes. He casts the whole family for the Apollo theatre in Berlin, where Anny quickly raises to stardom and is offered an engagement from the US.

The daughter of the Parisian countess Lafitte, named "Baby", is supposed to go to an English boarding school, but she's much more interested in variety shows. Nevertheless, she travels with her friend Susette to London, who also wants to make a career for herself as a showgirl. During the journey, Baby is mistakenly considered to be a showgirl and she does nothing to dissuade two young English lords from believing so. The girls continue to live under false pretenses even when they arrive in England, with Baby being a soloist with the group "Babies" and Suzette passing herself off as the Contessa Lafitte for school exams. At the end -- a double marriage.

Marianne is an accountant, but since she is so pretty the employment agency sends her to the theater. There, Max's gaffer falls in love with Marianne and persuades her to stay at the theater. Once he has to defend her against a professional boxer who harasses her. Although Max loses his position, but receives an offer from Box Manager Schmidtchen. When Max learns that Marianne is engaged, he goes to Schmidtchen's boxing school in Hamburg.

Alena Skalická, the owner of the "Krásná skála" estate, returns to the property after years abroad to take over its management herself. Her uncle Skalický and Engineer Miloš Miláček, who have managed the estate until now, are planning a grand welcome. The gamekeeper, Štětivec, is set to deliver the welcoming speech, and Head Forester Eisenkulka is rehearsing him. Štětivec’s wife, the sharp-tongued Barbora, is terrified that her Matěj might do something foolish.

Professor Grant signs a contract with Dr. Selin for the sale of his invention of cold light with the plans for his invention being kept in Grant's apartment. The negotiations are secretly heard by the illusionist Durk, who wants to seize the invention. A few days later Selín is found dead, killed by a light bulb filled with poisonous gas. Durk performs at the birthday party of Grant's daughter Anna and seizes the plans for the invention.

One of the first Czechoslovak films to be shown abroad--a fantasy horror, filmed on the fully furnished premises of the Berlin film studio Am Zoo. The central role is portrayed by the “arrivee from darkness”, Ješek, who is awakened from a deathly sleep. The film represents unusual sparks of creative efforts and the ambitions of creative community around the director Jan S. Kolár, who was inspired by international trends and techniques.

Helena is a 1924 German silent drama film directed by Manfred Noa and starring Edy Darclea, Vladimir Gajdarov and Albert Steinrück. The film was based on the poem the Iliad by Homer. It was released in two separate parts: The Rape of Helen and The Fall of Troy. It was produced by Bavaria Film at the Emelka Studios in Munich. The film was made on an epic scale with thousands of extras, and large sets which rivalled those of the larger Berlin-based UFA.

Czechoslovakian opera star Jarmila Novotná plays the title role in the Austrian tunefest "Frasquita". Based on a Franz Lehár operetta, the story is the usual frothy nonsense. Dolly (Charlott Daudert) is engaged to marry Harald (Hans Heinz-Bollmann), but she's really in love with Hippolit (Heinz Rühmann). Harald is likewise enamored of another, namely Frasquita (Jarmila Novotná).

A Royal navy Commander is tricked by a pretty girl who is working for the Nazis. She tricks him into revealing some military secrets and he is court martial. He vows to track her and her accomplices down.