Black Sin

A young man, recently arrived in New York from Europe, becomes swept up in a series of events that are beyond his knowledge or control.

Claire is a chic young Parisian woman married to a somewhat older husband, Jean. Claire meets her lover, Claude, at his apartment, where he gifts her a fur coat. Now Claire needs to figure out how to return home with this expensive gift without the affair being found out.

About the history of the French region of Lorraine, called Lothringen in German.

Mourning the death of his partner and collaborator Danièle Huillet, Straub finds tender mercy in music and nature. Out of the abyss, Kathleen Ferrier sings “The Farewell” from Gustav Mahler’s “The Song of the Earth”, (which the composer wrote in 1909 after the death of his daughter) and Heinrich Schütz’s Lament on the Death of His Wife. The landscape also provides solace: the mountain grove where Endymion pines for his beloved Artemis, “a wild thing, untouchable, mortal,” appears to embody the Japanese concept of ‘mono no aware’ — a wistful acceptance of the fleeting beauty of things.

The life and music of Johann Sebastian Bach as presented by his wife, Anna.

A visit to the Louvre in Paris commentated by an actor reading Cézanne.

Set in contemporary Rome, the film shows through a series of encounters with “ancient” Romans, how the economic and political manipulation by ancient Roman society led to Caesar’s dictatorship. - British Film Institute

A satirical attack on West Germany's re-armament and revival of militaristic tradition in the Adenauer era.

A familiar Biblical tale transformed into a cinematic opera of seemingly endless possibility. In expressive, melodic tones, the fraternal pair debate God’s true message and intent for His creations, a conflict that leads their followers towards chaos and sin. Set almost entirely within a Roman amphitheater whose history lends every precise line-reading and gesture, every startling camera move and cut, a totalizing force.

The film is a sort of presentation of Franco Fortini's book 'I Cani del Sinai'. Fortini, an Italian Jew, reads excerpts from the book about his alienation from Judaism and from the social relations around him, the rise of Fascism in Italy, the anti-Arab attitude of European culture. The images, mostly a series of Italian landscape shots, provide a backdrop that highlights the meaning of the text. - Fabrizio Sabidussi

Straub-Huillet’s first color film, adapts a lesser-known Corneille tragedy from 1664, which in turn was based on an episode of imperial court intrigue chronicled in Tacitus’s Histories. The costuming is classical, and the toga-clad, nonprofessional cast performs the drama’s original French text amid the ruins of Rome’s Palatine Hill while the noise of contemporary urban life hums in the background. Their lines are executed with a terrific flatness and frequently through heavy accents; the language in Othon becomes not merely an expression but a thing itself, an element whose plainness here alerts us to qualities of the work that might otherwise be subordinated.

An alternate look at a part of Sicilia, perhaps left out for its more straightforward didactic quality. Interesting to again see the long gaps. Also note the extra use of close-up (for them) on the old woman.

The glory and collapse of the grand Republic of Venice: the reasons are numerous, complex, human and all too human. Are these the same ingredients, the mélange that might determine whether the current Europe will survive? And if so, under what conditions? Jean-Marie Straub poses the question in this film, more austere and concentrated than ever.

Two segments. The first one arranges six stories from Cesare Pavese’s «Dialoghi con Leucò», taken from classical mythology. The second segment is taken from Pavese’s novel «La luna e i falò»: after World War II the emigrant «The Bastard» comes back to his village in the Langhe (northern Italy) to find out that everyone he knew has died, and that the war has deeply changed relationships between people.

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.

In 1994, Jean-Marie Straub and Danièle Huillet adapted the novel Colette Baudoche – Story of a Young Girl of Metz by Maurice Barrès as a film they titled Lothringren!. In 2010, Jean-Marie Straub returned to the eastern provinces of France, this time to Alsace, to film the second half of a diptych based on Barrès’s work. The text is derived from In the Service of Germany, a book about the mountain of Saint-Odile, which Barrès wrote in 1903. With Joseph Rottner in the principal role, Straub traces the path of a young country doctor as he tours Mont Saint-Odile, following the routes that Barrès himself took to the chateau of Ratsamhausen and around the ruins of the ancient fortification known as the "Pagan Wall,” which are unique in the area. Straub, himself born in Metz, plays the role of a resident of Lorraine whom the young Alsatian engages in conversation.