Learn from Experience, Part One

Toyomi is pregnant -- and while Shintaro and Yurie are on their extended honeymoon, she bears his child, a girl named Kiyoko. She is supported in adversity by close friend Michiko and her mother but also, surprisingly, Shintaro's mother and siblings. Even moreso, Toyomi and Yurie become friends. Part two of a two-part romance based on a story by noted author Kikuchi Kan.

War widow Reiko rebuilds and runs the grocery shop in the house of her husband's family. Many years later, their business is threatened by a newly built supermarket and Reiko's in-laws plan to convert their small shop into a supermarket, to her detriment.

Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older.

A man is involved in a fatal car accident, and though he is blameless, his company transfers him to a remote branch in a small town. Before he leaves, he gives the man's widow a large sum of money that she uses to move back to her hometown.

A married Japanese forester during WWII is sent to Indochina to manage forests. He meets a young Japanese typist and promises to leave his wife. He doesn't and after the war, she turns up and the affair resumes.

In post-WWII Osaka, a middle-aged woman is forced to examine her dreary life and marriage when her husband's young and flirtatious cousin arrives for a brief stay to escape an arranged marriage.

A woman marries, gives birth to a stillborn child, and divorces, falls in love with a hotel-keeper, only to find herself subordinated to his drive for success, takes up with a tailor who cannot console himself with her strong personality.

An ingratiating bride develops warm ties to her father-in-law while her cold husband blithely slights her for another woman.

The story of Kiyoko, a young woman who has successfully managed to make a break with her dysfunctional family who have been trying to arrange a marriage for her with a disagreeable man whom she has rejected.

Based on the life and career of novelist Fumiko Hayashi, she bitterly struggles for literary recognition in the first half of the 20th-century – her affairs with feckless men, the jobs she took to survive (peddler, waitress, bar maid), and her arduous, often humiliating attempts to get published in a male-dominated culture.

Drama about the lives of the five daughters and daughter-in-law of a store owner.

What is the life of a Geisha like once her beauty has faded and she has retired? Kin has saved, and become a wealthy money-lender, spending her days coldly collecting debts. Even her best friends, fellow Geisha Tomi, Nobu, and Tamae, are now indebted to her. For all of them, the glamour of their young lives has passed; Tomi and Tamae have disappointing children. Kin has two former lovers who still pursue her; one she wants to see, and the other she doesn't. But even the one she remembers fondly, when he shows up, proves less than satisfactory.

A woman remembers her own marriage when dealing with the love life of her son.

A teenaged girl witnesses her widowed mother's attempt to sustain her family.

A melodramatic love story, a would-be apprenticeship between the titular bad girl and the optimistic scholar returning from the big city. It is considered to be a lost film.

An aging geisha, whose angry teenage son is ashamed of her profession, works alongside a young geisha, resentful of her family for forcing her into a life of shame.

A young woman tries to raise money to open her own coffee shop. She arranges a loan when her rigid family won't help and then her husband becomes jealous of the loan officer.