Yo Shiomi

A sentimental tale of the filial love between shogun Iemitsu (matinee idol Hasegawa) and his loyal old retainer Hikoza (comedian Roppa, playing somewhat against type).

Once an average and seemingly ordinary Tokyo girl, she suddenly finds herself as a TV star owing to her discovery by a casting company, which noticed photographs that her cousin had sent. When another actress falls ill she is given the role instead. Her first film is a success propelling the young actress to popularity, her own fans, money and a house. While everything looks dandy from the outside not all is well within the family however.

Admiral Isoroku Yamamoto, a brilliant tactician, is a loyal subject of the emperor, despite his grave misgivings about leading Japan's navy into war with the United States. He opposes the attack on Pearl Harbor, but, overruled, he leads his forces to the best of his ability.

A kindhearted wandering gambler named Hajiro gets involved in a crisis of a village as he passes through and decides to lend a sword in hopes to rescue them.

Yukiko Nogami is rescued during a mountain blizzard by handsome forester Shinkichi, and the two subsequently fall in love. But when Shinkichi dies in an avalanche, Yukiko leaves the mountains in despair and takes a job in a bar where she becomes deeply involved in the personal lives of several of the patrons. One day she thinks she sees Shinkichi alive, but it turns out to be a gangster named Hayakawa, a man on the run who bears an astonishing resemblance to Yukiko's lost love. Against her better judgment, she is drawn to help Hayakawa, though clearly danger follows him.

The debut film of Shin Toho Productions

Mokichi Asai is a widowed father living in Nara with three daughters—Chizuru, Ayako, and Setsuko. The youngest, Setsuko, plays matchmaker for her older sisters, leading to humorous and awkward romantic entanglements.

Soemon, the master of Gidayū-style madcap performances, has gathered the entire tenement block again tonight and is tormenting everyone with his terrible Gidayū singing.

Part one of two.

Shoichi Kokubun is a roughneck street musician, who has a brother that is determined to propel him into stardom. In attempt to catch the attention of a popular jazz band, his brother appeals to their manager who has the power to make him a star. In a graphic portrayal of love, betrayal and success, Shoichi brews up a storm with a 'rat-a-tat-tat' on the drums.

A woman falls in love with her sister's fiancé.

With his simple appearance, eyes shining with love and a sense of justice, and voice burning with youthful passion, the eleven students felt unexpectedly in each other's hearts that "this teacher will surely be our confidant," and looked at each other and nodded their heads. This was the beginning of their collective affection for the new Ms. Shiono. The school for girls is a sacred place where the hearts of hundreds of innocent girls should ferment beautifully and freely for the day when they will become wives and mothers to come. How can we abandon them in such a state? Even after the nightmarish war was over, the nightmare remained at Shuei Girls' School.

When an invisible man is run down by a car it’s up to an eager young reporter and a strange clown to bring a dangerous gang to justice.

War-time jidaigeki by Eisuke Takizawa.

An early Japanese sound film, notable for being the only Japanese film ever to use the Western Electric Sound System. Contrary to most Western sources that give sole directing credit to Eizo Tanaka, it was actually co-directed by six different directors, Tanaka, Kazue Kimura, Kazuo Takimura, Ryoji Mikami and Hidekuni Ouchi.

Based on a radio drama.

Atsuko is an office secretary who is also her family's primary source of income and caretaker in postwar Japan.

1952 Japanese movie

The study of a one-year marriage that begins to crumble. A married man is torn between the love of his wife, and the attraction to a cousin of his wife.

Another adaptation of Tange Sazen.

A biographical film chronicling the life of composer Setoguchi Tōkichi (1868-1941) from his early days as a clarinetist in the Imperial Japanese Navy band to his later years when his music, in particular the famed “Warship March” (Gunkan kōshinkyoku), surged in popularity.