Kill Them All

"With the democratic recovery in Uruguay, a state defined by some as "the drifting situation in which Uruguayan culture is found" becomes explicit. A youth sector oscillates between transformative creativity and disenchantment, they question their elders, the country and their conservative and exclusive habits." - Ulf Kjell Gür

LEI and WONG clandestinely arrive to Ecuador, on their way to the port city of Guayaquil. From here LEI plans to continue her journey to New York, but CHANG, a bipolar mobster will decide her fate. WONG unwillingly gets entangled in the web of corruption that operates the encroachment of Chinese immigrants. His only objective is to bring his twelve-year-old son from China.

Selkirk, an unruly, selfish pirate, is the sailing master of the Esperanza, an English galley sailing the South Seas in search of treasures. When Captain Bullock decides to abandon him on an uninhabited island, he discovers a new outlook on the world and learns to survive alone, becoming the real Robinson Crusoe.

A mother struggles to raise her daughter all by herself, and due to the economic difficulties decides to rob multiple finance houses, fooling her victims with the handle of her umbrella that she make them think is a real revolver.

A Montevideo journalist discovers that the murder of a boy from the slums near the vineyards had political reasons, and was not an isolated incident. Developing a friendship with the victim's older brother, and then the entire family, the journalist tries to get to the bottom of this case. It is not the only case of summary executions of young poor boys in this vineyard, but nevertheless few people really want to challenge the powerful owner of the vineyards.

Miguel and Alicia are a young retired couple. One day, Alicia goes to visit her mother-in-law at the nursing home. Hours go by and she does not return. Concerned, Miguel goes out to look for her, but finds her sitting on the sidewalk. What's wrong with her? What happened during this visit? Alicia does not answer. The following days Miguel tries to find out the reason for his wife's attitude, who remains quiet and still in the same position, while he tries to get everything back to normal.

Emile Robert, a music-hall artist in his sixties, receives a message from Uruguay from a certain Alfredo Quiroga. He says to be the brother of Eurídice, a young intern with whom he had a passionate love story in the 70s. Emile travels to Montevideo in search of the past, where Alfredo lends him the family apartment.

The Uruguay of restored democracy alter years of military dictatorship remains divided about what to do with de military accused of violations of human rights during their government. This documentary records that division and the opinion of different people previous to the referendum on April 16, wich finally granted amnesty for the military.

This documentary was shot in four countries in the Southern Cone of South America over a two-week period. It examines the democracies that re-emerged after military rule and we hear the testimony of presidents Carlos Menem, Fernando Henrique Cardoso, Patricio Alwyn and Luis Alberto Lacalle, and the reflections of many other key figures of that time. There is also an early discussion of the regional integration process that these countries were planning to promote, so we are shown a representative mosaic of each country, which makes this material truly unique.

After the end of the dictatorship, Uruguay was faced with the unresolved problem of what to do with the past. In this documentary the CEMA camera team roam the city streets and find out what Montevideans think about bringing armed forces personnel to justice. This tour reveals a climate of scepticism, a climate of fear and suspicion, but also a will and a desire that justice must be done.

At ten o'clock on the night of 20 November 1993, in the Barrio Sur neighbourhood of Montevideo, Jaime Roos began the first of 42 concerts on a tour that lasted three months and included performances in all 19 departments of the country. In total some 300,000 saw him play. This documentary captures the essence of that unique tour and it is a crucial contribution to our understanding of Jaime Roos and his position in Uruguayan music towards the end of the 20th century.