La Huella de las Palabras

One day five women from Quito, friends in their teens, decide to get back together after fourteen years. Helena is waiting for her second child, Marina lives the ups and downs of infidelity, Diana, an early widow, shares her loneliness with her 15 year old daughter and Tamara has not abandoned the random life of nightclubs, men and drugs. The purpose of their get-together is to visit their old classmate, Alejandra, who is consumed by an illness.

Documentary regarding Ecuadorian militant group cum political party "Alfaro Vive Carajo" from their start in the 80s to their unexpected return to action in 2007.

Adaptation of Pablo Palacio short story that through a teacher and a group of his students, presents an exercise of dispersion and annihilation converted into an aesthetic object.

Beatriz looks for her former partner Mercedes, but she is already with someone else. Beatriz forces her entry into his house and asks her to come back.

Victor was victim of a violent attack during the government of León Febres Cordero in 1987. More than 30 years later, he decides to free himself from the weight of the secrets and ghosts that has carried for many years and speak out.

No Autumn, No Spring depicts modern day Guayaquil City and its invisible generation. Iván Mora Manzano’s punk ballad of rebellion, confrontation and the disenfranchised reveals the tribulations of young men and women who struggle deeply with the transition from adolescence to adulthood.

72 hours after a shattering earthquake hits his hometown, a filmmaker grabs a camera and discovers a universal, first-person tale of memory, loss, and coming back home in the least likely of circumstances.

After a nuclear catastrophe, a man who did not know how to continue living in silence went out to look for sounds, voices and whispers in the remains of a scorched nature.

A look at the life of Toty Rodríguez: An actress who made her career in France during the 60s, a well-known Diva in Ecuador as well as an icon of the women rights. She returns to Paris with her nephew to revisit her past in a town that changed her life.

Years afterwards, director Carla Valencia Dávila rediscovers videos of a cycling trip she made through Uruguay in her youth. The shots of rolling highways, deserted hotels, and unexpected encounters set her thinking. It feels as if someone else had filmed them.