Para que dure no se apure

The Black Legend of Mexican Cinema

During 1950, Miguel Contreras Torres led a group of filmmakers to officially denounce William O. Jenkins' monopoly on film theaters, which was built throughout the country upon crime and corruption. Ever since, Uncle Miguel was ridiculed and eventually forgotten, but it is certain that his proclaim announced the separation of Mexican cinema and its audience. Discoveries may be found in the films made by Miguel, and bringing back to life these moving pictures might recover this history that was never told, a story that is almost lost and that Contreras Torres himself tried to pass on through his writings in The Black Book of Mexican Cinema.

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Intriga contra México

An international group is trying to destabilize Mexico by assassinating the President.

The Cousin

A married woman, who's husband leaves her alone way too many times, is seduced by a junior spoiled young man, leading her into the fullfillment of her unsatisfied needs.

Hoy no circula

Mi compadre Capulina

Baseball sketch, restaurant sketch, store-detective sketch, lucha libre sketch. Remake of No me defiendes, compadre.

The Blood-Stained Nun

Young, handsome and cultured Ramón goes to visit his dying grandfather on his deathbed. During the visit, gramps explains that to inherit his isolated farm he'll have to share it with his cousin Beatrice. But a dark past is linked to this estate, full of mystery, murders and unexplained, perhaps even supernatural, events.

Dando y dando

Sex farce, two unrelated episodes.

La lechería

In the neighborhood there is no place more visited than the dairy 'Las Glorias de Don Zacarias'. Don Juan and his assistant Mariano adulterate the famous products of the dairy without imagining the consequences that this would bring them.