Manuel 'Flaco' Ibáñez

Returning to Earth as an imitator, the legendary Mexican artist Pedro Infante must prove that he is no longer a womanizer to enter paradise.

Our protagonist has a stall in a market and a bride in place of meat. The butcher does not want and diamond smuggler gets him in trouble with the police. Hides in a beauty salon pretending to be gay

The alcoholic Zapote discovers that his sister has to work at a cabaret to support him; when he tries to fix the situation, the police shut down the illegal business, and he ends up resorting to theft alongside his buddy 'El Flaco'.

A man is locked up in a women's prison by mistake.

The private, the forbidden and the obscene. Eight short stories to be moved, surprised and have fun. Three different views about relationships, love, sex; three directors will take you from comedy to drama and backford, from the story of an old lady with cancer having a love affair to the love between two teenagers who try to make love for the first time or to the burning desire of a cop who is bewitched by cupid.

Mexican Reservoir Dogs with corrupt cops as the thieves.

A comedy that shows the different customs that Mexicans have to face everyday problems. It shows the way to deal with the infidelities of the couple in order to move on.

A tailor never misses an opportunity to take the impressive measurements of his curvy female clients.

Chronicle of the repression that a foreign company exerts on the miners of a small nitrate town in Chile, whose workers decide to claim their most essential rights. A reflection of the historic union struggles in the northern Chile that ended with terrible repressive acts.

Mexican feature film

Comical misadventures: lady taxi-driver + doofus policemen.

What could a couple, two girlfriends, two rival gangs, one murderer, and four prisoners have in common? The night will be stained in blood...

Transit must deal with his impulse to leave the country to go to the United States in search of the famous American dream.

Softcore sex-farce about a guy with a really big lump in his underpants...and all the women who flock to him.

Journalist becomes a member of a boxing champion's entourage to write a book about the boxer's career.

An irresponsible bureaucrat gets into a myriad of awkward situations with his colleagues.

Librado, an unemployed man, lives in a crowded small house with numerous children and relatives, is beaten for stealing a car antenna. His godmother and her children try to settle in his place. She then is arrested at a supermarket for stealing, however, she offers herself and volunteers a friend of hers for sex to the policemen so she can be released. She is a maid of an employee who acts subservient to his boss, a mid-level government employee at once servile who delivers speeches on sexuality in educational texts and then discusses the matter with his brother, a corrupt inspector.

Framed for a murder he didn't commit, "Felipe" decides to take justice in his own hands & get revenge on those who left him for dead near the old well in town.

Victoria's life is perfect. She is a famous designer, mother of two and the wife of an actor. But she suffers the absence of her daughter Maria, who was separated from her when she was a little girl.

Marcelo envy and hate David and gradually plan to snatch the gun around his brother, Marcelo called Zihuatanejo Lorena, a seller of fish courting until it falls in love with him. Marcelo says his name is David Montalvo and is a renowned entrepreneur.

Mujeres Asesinas is a series that shows the dark side of women who have been mistreated or abused and become cruel murderers. The series shows how violence and death can overcome the feminine mind.

The story of fifteen-year-old Jovana Luna and the obstacles she will have to overcome in her fight to find happiness with the handsome León Baldomero, the love of her life.

Valentina and Sebastián—known as "Los Camaleones"—are manipulated by "El Amo" into stealing artworks and valuable jewelry worth millions of dollars; if they fail to meet his demands, he wields enough power to kill their only loved ones, who are currently imprisoned because of Augusto Ponce de León. Ponce de León is the police chief—and Solange’s father—as well as a womanizer estranged from Francisca Campos; he is in charge of the "Camaleón" case, which he must solve to secure a political position and gain ever-increasing power.

Two very different families live in the village of Santa Lucía who are involved in a whirlwind of passion, pain, and revenge. The rivaling families are the Mendozas and the Alcocers. Severiano Mendoza and Candela Santana are a rich and powerful marriage who live at the ranch, "Las Ánimas", along with their young son, Cristóbal. Roberta and Raymundo Alcocer also have a daughter named Alonza; however, they do not live with the same luxuries as the Mendoza family, which causes frustration and resentment in Roberta as nothing is enough to fill the inferiority complex that follows her like a shadow.

La Mujer Del Vendaval is a 2012 Mexican telenovela produced by Mapat L. de Zatarain for Televisa. It is a remake of the Venezuelan telenovela Un Esposo para Estela. Ariadne Díaz and José Ron star as the main protagonists, while Chantal Andere, Marco Muñoz, Manuel Flaco Ibañez and Florencia del Saracho as the main antagonists.

A modern-day Cinderella loses her prince on her wedding day and flees to the capital to live with her gay uncle under a new identity. She gives birth to a son conceived with her ex-boyfriend and begins writing a column that becomes a hit.

Vítor and Albertano are in pursuit of the same objective: to find a place to live, and as much as they don't want to, get a job that allows them to live and pay the rent for the room that the two decide to share at Doña Cuca's house.

Four women end up working in the same place for different circumstances and although at the beginning they are very different from each other, because they have different ways of thinking and seeing life, they come to realize that they have something in common and that they share the experience of having been victims of digital lynching in one way or another.

La Culpa is a Mexican telenovela produced by Yuri Breña and Pinkye Morris for Televisa and originally broadcast on Canal de las Estrellas from August 12 to October 11, 1996. Created by Nora Alemán, with literary editing by Marco García, the telenovela stars Tiaré Scanda and Raúl Araiza. Due to low ratings, it was shortened to 45 episodes. The story follows Isabel Lagarde, the adopted daughter of a wealthy family, who falls in love with Miguel Nava, the son of a former boxing champion. Their lives are torn apart after Miguel becomes involved in the accident that kills Isabel's sister, Juana Inés. As grief, suspicion, and revenge threaten to destroy their relationship, Isabel and Miguel must uncover the truth behind the tragedy and identify the real person responsible.

CLAP, el lugar de tus sueños is a Mexican youth musical telenovela produced by Roberto Gómez Fernández, in association with Giselle González Salgado, for Televisa and originally broadcast on Canal de las Estrellas from November 3, 2003, to March 12, 2004. It is an adaptation of the Spanish television series Un paso adelante (2002). The telenovela stars Ana Layevska, Ari Borovoy, Lidia Ávila, and Kika Edgar. The story follows Valentina, Montserrat, and Helena, three childhood friends who move to Mexico City to pursue their dream of becoming professional performers at the prestigious CLAP School of Arts. There, they face demanding training, fierce competition, romance, friendship, and personal challenges while striving to succeed in music, dance, and acting. At the same time, the school's founder, Ofelia, searches for the grandson she lost years earlier, unaware that his destiny is closely linked to the lives of her students.

Life of boxing in Mexico City: bets, deception, love, crime, and courage, take place in the lives of amateur boxers and professional fighters.

A workplace comedy about the underdogs who accidentally made the best Dracula movie you've never seen—the Spanish version of the 1931 classic.

Presents three incidents narrated from four points of view. The viewer can watch each of the sections in any order, addressing high-impact issues in Mexican reality, such as human trafficking, kidnapping, and pedophilia.