The Blood-Stained Nun

During 1950, Miguel Contreras Torres led a group of filmmakers to officially denounce William O. Jenkins' monopoly on film theaters, which was built throughout the country upon crime and corruption. Ever since, Uncle Miguel was ridiculed and eventually forgotten, but it is certain that his proclaim announced the separation of Mexican cinema and its audience. Discoveries may be found in the films made by Miguel, and bringing back to life these moving pictures might recover this history that was never told, a story that is almost lost and that Contreras Torres himself tried to pass on through his writings in The Black Book of Mexican Cinema.

An international group is trying to destabilize Mexico by assassinating the President.

A married woman, who's husband leaves her alone way too many times, is seduced by a junior spoiled young man, leading her into the fullfillment of her unsatisfied needs.

Baseball sketch, restaurant sketch, store-detective sketch, lucha libre sketch. Remake of No me defiendes, compadre.

Sex farce, two unrelated episodes.

The bureaucrat Victor manages to acquire an apartment and, by lending it to his bosses for their affairs, earns money and promotions, though he suffers inconveniences by leaving the apartment at inconvenient hours, enduring robberies and colds. The office director also asks for the apartment to take Patricia, the elevator girl Victor loves. He is disappointed in her but discovers she attempted suicide. The director rewards him by appointing him manager, but he refuses the position, disgusted by the rampant corruption.

In the neighborhood there is no place more visited than the dairy 'Las Glorias de Don Zacarias'. Don Juan and his assistant Mariano adulterate the famous products of the dairy without imagining the consequences that this would bring them.