Great Citizen

Kotovsky, who went a long revolutionary way and became the recognized military commander of the cavalry troops: commander, brigade commander, commander. Six times he escaped from prison, was sentenced to death, and again escaped to become one of the most ardent warriors of the revolution. His famous equestrian brigade fought with the enemy near Kiev and the Belaya Tserkov, at Nikolaev and Odessa, and did not know defeat anywhere.

Andrei Krutikov was the first child born in the settlement of the hydroelectric station workers. The residents of the settlement named a street after him. Years passed, and the young city grew. Andrei grew up to be a mischievous, lying, and wild storyteller. But then a new boy, Borya Skalov, appeared in his class. Unintentionally, Andrei started to imitate the serious and responsible Boris, and he didn't even notice how his life began to change.

Professor Lavrov, a student and follower of Michurin, is trying to refute the discoveries of the theory of heredity and is successfully working on developing a new breed of chickens with high egg production and productivity. The brave experimenter is supported by the Central Committee of the CPSU in the person of Comrade, who arrived at the experimental poultry farm.

Anton Ivanovich Voronov is a highly respected professor at the Moscow Conservatoire, who places the music of Bach above everything else and regards it as the ultimate yardstick by which other musical accomplishments must be measured. His daughter, Serafima, is an aspiring singer with great potential, and her father’s anger is aroused when she begins singing in the operetta composed by Aleksei Mukhin, thus abandoning what he considers the higher calling of opera. Mukhin’s work, however, demands a high level of ability from his soloist, and Anton Ivanovich is persuaded of the legitimacy of operetta as a musical genre when, in a dream, he is visited by Johann Sebastian Bach himself, who tells him that ‘people need all kinds of music’.

A man invites people to a dinner party, but a dream and his forgetfulness get in the way.

Komsomol girl Katya Karnakova, a darling of the small provincial town Old Lopsha, is seriously smitten with a fellow Komsomol and does not even try to hide this from others. After some time as a result of their affair, she becomes pregnant.

The first day of the war brings tragedy to a peasant woman, Pasha. Her husband and her toddler son die before her eyes. She and the other villagers leave to go into the woods. Pasha leads the villagers to fight some German troops. Coming out victories, the partisans become a feared opponent of the Germans, with the leadership of Comrade P.

Director Fridrikh Ermler brings together monarchist Vasiliy Shulgin with a nameless historian who accompanies the right wing politician on a stroll through Leningrad, confronting him with his past.

Director Frederick Ermler’s last silent feature and the last of four collaborations with actor Fiodor Nikitin. Nikitin plays an officer who spends a decade after the Great War as a shell-shocked amnesiac, until a glimpse of a woman through a train window sparks the return of his memory. He makes his way back to St. Petersburg, now Leningrad, a man out of time who struggles to make sense of the new society brought about by the revolution.

A musical romantic comedy set in Soviet Union during the first years of WWII.

A young country girl who becomes an apple seller is seduced and abandoned. She finds a protector but when he is arrested for theft she finds honest work in a factory.

Brecht's play Fear and Misery of the Third Reich consists of a series of playlets, portraying National Socialist Germany of the 1930s as a land of poverty, violence, fear and pretence. Nazi antisemitism is depicted in several of the sketches, including "the Physicist", "Judicial Process", and "the Jewish Wife".

The local doctor Yelizaveta Maksimovna is a beautiful woman and a wonderful sympathetic person. She is lonely, although she is cared for by a confident and promising colleague. Yelizaveta Maksimovna has one patient, a manly, full-energy ship builder Yershov, chained to the bed with a paralysis of both legs. All doctors recommend him rest, and Elizaveta Maksimovna advises to work and not feel sorry for herself. Yershov with all his heart falls in love with his doctor, and she loves him, but she does not dare to say her feelings. Ershov thinks that he has no hopes, but...

In the summer of 1932, Sergei Lukonin, a young man from Saratov, leaves his hometown for the distant city of Omsk to attend tank school. His fiancée, Varenka, who soon became an actress, remained in Saratov. In 1936, Sergei went to fight in the Spanish Civil War. He was wounded, taken prisoner, escaped, and returned to training battles, with June 1941 looming ahead.

The story of an effort to catch "wreckers" at work in a Soviet factory. The film’s title-song called "The Song of the Counterplan", composed by Dmitri Shostakovich, became world famous and was adapted into "Au-devant de la vie", a notable song of the French socialist movement of the 1930s.

A story about a Secretary of the Communist Party District Committee who is leading partisans in their fight with the Nazis during WWII.