Fridrikh Ermler

Directing

Fridrikh Ermler

Born May 13, 1898 · Rezekne, Latvia

Died July 12, 1967 · aged 69

Fridrikh Markovich Ermler[a] (13 May 1898 – 12 July 1967) was a Soviet film director, actor, and screenwriter. He was a four-time recipient of the Stalin Prize (in 1941, twice in 1946, and in 1951). After studying pharmacology, he joined the Czarist army in 1917 and soon took part in the October Revolution on the side of the Bolshevists. Captured and tortured by the White army, he only became a f…

Known For

The CutlassThe Cutlass · 1954
The Cutlass
4.41954
MovieMysteryFamily
The teenager Misha Polyakov, being with his mother in a Ukrainian village on vacation with his grandmother and about to return home to Petrograd, offers his best friend Genka to go with him. Suddenly, a white gang of Nikitsky bursts into the village and attacks Misha’s house, where Commissioner Polevoy lives. The purpose of Nikitskiy (aka Nikolskiy) is a dagger located at Polevoy. Saving the commissioner, Misha learns from him the history and secret of the weapon, and receives it for storage with a request to solve the secret. Having returned with adventures to Petrograd, Misha Polyakov with friends begins to unravel the riddle of the dagger, in the handle of which is encrypted text.
Great CitizenGreat Citizen · 1938
Great Citizen
4.61938
MovieHistoryDrama
A biography drama about Sergey Kirov, a prominent early Bolshevik leader in the Soviet Union.
Katka's Reinette ApplesKatka's Reinette Apples · 1926
Katka's Reinette Apples
5.61926
MovieDrama
A young country girl who becomes an apple seller is seduced and abandoned. She finds a protector but when he is arrested for theft she finds honest work in a factory.
The Turning PointThe Turning Point · 1945
The Turning Point
3.91945
MovieDramaWar
The film tells the story of those who took part in the Battle of Stalingrad in 1942, which became a turning point in the Great Patriotic War. For five months, the city resisted the Nazi offensive. Surrendering Stalingrad to the enemy would have meant losing the war, but holding on to the city seemed almost impossible.
The Parisian CobblerThe Parisian Cobbler · 1927
The Parisian Cobbler
5.91927
MovieDrama
Komsomol girl Katya Karnakova, a darling of the small provincial town Old Lopsha, is seriously smitten with a fellow Komsomol and does not even try to hide this from others. After some time as a result of their affair, she becomes pregnant.
Fragment of an EmpireFragment of an Empire · 1929
Fragment of an Empire
5.71929
MovieDrama
Director Frederick Ermler’s last silent feature and the last of four collaborations with actor Fiodor Nikitin. Nikitin plays an officer who spends a decade after the Great War as a shell-shocked amnesiac, until a glimpse of a woman through a train window sparks the return of his memory. He makes his way back to St. Petersburg, now Leningrad, a man out of time who struggles to make sense of the new society brought about by the revolution.
Smile!Smile! · 2024
Smile!
3.02024
MovieDocumentary
A docudrama presenting the events which explain how and why Charles Spencer Chaplin made alterations to his original ending of the famous movie “Modern Times” following his encounter with the Soviet director Fridrikh Ermler.
The Great ForceThe Great Force · 1950
The Great Force
7.51950
MovieDrama
Professor Lavrov, a student and follower of Michurin, is trying to refute the discoveries of the theory of heredity and is successfully working on developing a new breed of chickens with high egg production and productivity. The brave experimenter is supported by the Central Committee of the CPSU in the person of Comrade, who arrived at the experimental poultry farm.

Filmography

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Anton Ivanovich Gets AngryAnton Ivanovich Gets Angry · 1941
Anton Ivanovich Gets Angry
7.01941
MovieComedyMusic
Anton Ivanovich Voronov is a highly respected professor at the Moscow Conservatoire, who places the music of Bach above everything else and regards it as the ultimate yardstick by which other musical accomplishments must be measured. His daughter, Serafima, is an aspiring singer with great potential, and her father’s anger is aroused when she begins singing in the operetta composed by Aleksei Mukhin, thus abandoning what he considers the higher calling of opera. Mukhin’s work, however, demands a high level of ability from his soloist, and Anton Ivanovich is persuaded of the legitimacy of operetta as a musical genre when, in a dream, he is visited by Johann Sebastian Bach himself, who tells him that ‘people need all kinds of music’.

Producer