The Princess Sen

Adaptation of Junichiro Tanizaki's novel whit the same name. It is perversely erotic relationship between a young salaryman and his teenage wife whom he 'adopted' at first as to 'train' her to be his idealistic modern woman.

The picture belongs to the jidai gekki (historic) genre. It is a powerful story of violence and eroticism, picturing a world at once sordid and poetic, with two central themes which intermingle to compound an admirable panel of a critical period in Japanese history: the great famine in the mid 19th Century.

After running away from her mother, Ashiko works as a maid at an inn and changes her name, but she finds herself torn between her past and a new relationship with a lonely trader on the beach of Atami.

The fall of an accountant enthralled by the sexual charms of a cabaret dancer.

1954 Japanese movie

The tale of Katakana Yonetaro aka "The Shark," a rough-and-tumble horse trader in Japan's northernmost island of Hokkaido, despite being a father and a husband he is frequently drawn to taverns.

Utsugi, a seventy-seven-year-old man of refined tastes who is recovering from a stroke, discovers that, while his body is decaying, his libido still rages on -- unwittingly sparked by the gentle, kindly attentions of his daughter-in-law Satsuko, a chic, flashy dancer with a shady past. Pitiful and ridiculous as he is, Utsugi is without a trace of self-pity, and his diary shines with self-effacing good humor.

Once upon a time, Okuro (Ayako Wakao), a young female racoon, lived poorly with her drunken father. One day after they disguised themselves as parasols, they were wrongly brought to the Racoon Palace, where the young racoon princess (also Ayako Wakao) made a mess of her arranged marriage with the beautiful racoon prince (Raizô Ichikawa). Pretty princess ran away. In order not to spoil the promising marriage, people tried to make use of resemblances between Okuro and the princess. Before long, Okuro and the Prince fell in love with each other...

Ittōsai, who trained in the Itto-ryu style deep in the mountains of Nara, joins a professional baseball team.

Chieko Izumi is a reporter for the magazine "Weekly Japanese Women". She had come to Tokyo to stay with her aunt in order to escape her stubborn grandmother in her hometown in Kyushu, who was trying to force her to marry Komori, the local ringleader.

Keita, who had been taken along as a cover for his father-in-law’s affair, was discovered by his new wife when she unexpectedly showed up while he was sharing a room with a geisha.

A lighthearted comedy featuring city dwellers flocking to a remote mountain hot spring inn, all entangled in the mystery of hidden gold bars.