Shinobu Araki

A poor rickshaw driver finds himself helping a young woman and her son after the woman's husband dies suddenly.

In 11th-century feudal Japan, following the exile of an idealistic governor, his wife and children are separated by slave traders; the children, Zushio and Anju, are sold into brutal servitude under the cruel bailiff Sansho.

When the wife of a 17th-century Kyoto scrollmaker is falsely accused of having an affair with his best employee, the pair flee the city and find themselves truly falling for one another.

19th century Japan, at the end of the Edo period. A samurai falls in love with a young woman while taking up arms to overthrow the local shogunate.

In 1880s Japan, women's struggle for equality rages on. Eiko Hirayama leaves Okayama for Tokyo, where she helps the fledgling Liberal Party and falls in love with its leader Kentaro Omoi, just as the party is being disbanded by the government.

A tea master and his daughter Ogin are both Christians in feudal Japan. Ogin falls in love with a married feudal prince who shares her faith. When the Shogun bans Christianity, the situation worsens.

Japan, 1159. Moritō, a brave samurai, performs a heroic act by rescuing the lovely Kesa during a violent uprising. Moritō falls in love with her, but becomes distraught when he finds out that she is married.

A murder case tied to a missing love letter… Heiji heads west along the Tōkaidō in pursuit of thirteen suspicious individuals.

Ishimatsu of Mori, from his early days leading up to his joining with Shimizu Jirocho, Boss of the Tokaido where he made his mark in history through his tragic end this is the story of a beloved and loyal henchman.

Zatoichi's trek through 88 temples to atone for his violent past is interrupted as he stumbles into a village terrorized by a violent yakuza boss.

Disguised as a beggar monk, Ryunosuke is harassed along the road by the rowdy members of a country dojo or fencing school malingering outside their fencing hall. The third film in the Satan's Sword trilogy.

A yakuza returning from an island journey takes a stranger’s young child under his wing as he travels, gives up the woman he loves to his brother-in-arms, kills a corrupt gang boss in the name of justice and turns himself in.

Satoko is a mistress by trade or fate: when her master, the silkscreen artist of the Kohoan Temple in Kyoto, dies, she is given to the temple's lascivious head priest Kikuchi. She is drawn to a melancholy young acolyte, Jinen, who has observed the profligacy of his cruel master and Satoko's utter dependence on the man. Jinen is both fascinated and disturbed by Satoko's interest in him; he is similarly caught between loathing of Kikuchi and of the dark circumstances of his birth and his own moral weakness. The story unfolds in a dreamlike manner—a flashback inspired by a now-infamous image on a silkscreen in the souvenir shop at the so-called Temple of the Wild Geese.

Film directed by Kenji Misumi.

A greedy developer, in league with a corrupt Shrine Magistrate, brutally tries to drive people out of a tenement building and destroy the shrine in back. But he makes the fatal mistake of hosting a 100 Ghost Stories ceremony without the closing cleansing ritual, opening the door for the Yokai Monsters to punish the wicked.

One night in Edo, a mysterious woman in a palanquin appeared at the moneylender Yamashiroya, revealing herself to a beautiful woman. She told the owner, Shigebē, that she had come to collect a life he owed from twenty years ago and then left. The same night, Maruiya Genbē also received a visit from the woman's palanquin, and nearby, a man named Manbē was murdered. The detective Hayanawa Gohē concluded the murder was the work of a fox spirit, but another detective, Den Shichi, skeptical of this theory, noticed footprints on the tatami and decided to investigate further.

Gotō Matabei is the most able and fierce samurai of the Kuroda clan. However, he gradually dislikes the ruthless personality of Kuroda Nagamasa and leaves the clan. Seven years later, he joins Toyotomi Hideyori's army. Filmed in 1945 and released in 1952.

This period film is inspired by one of the most notorious scandals to have taken place in Edo-period Japan. The heroine, Ejima, was a lady of the Ooku, the harem of Edo Castle in which the Shogun’s mother, wife and concubines resided, forbidden from contact with any other man except in the presence of the Shogun. The institution played a key role in the Byzantine world of Japanese court politics during the Edo era. In 1714, Lady Ejima was sent to pay her respects at a Buddhist temple in the city, and chose to pay an unauthorised visit to the kabuki theatre – a violation of protocol that was to have tragic consequences.

Japan, 1137. The Taira family, a samurai clan, becomes involved in the disputes between Emperor Toba and the monks of Mount Hiei.

A historical drama directed by Yukiya Sato, and co-written by Rokuhei Susukita and Jiro Okuzawa. Seitarou, who travels from trip to trip, was asked by Fujisuke, who was killed in a mess at the Shinshu Oil Shop's gambling house, to deliver his child Shinkichi to his mother Megumi in the old Iwanjoya in Shiojiri, Shinshu. Megumi was crying day and night, worrying for her child. Masagoro, the boss of the land who had been aiming for the replacement of Iwanjoya, forced Megumi to marry his son Hyokichi. On the way, Seitarou and Shinkichi helped Rohno, who was looking for his fiancee....