Haruko Tōgō

Shakespeare's King Lear is reimagined as a singular historical epic set in sixteenth-century Japan where an aging warlord divides his kingdom between his three sons.

Eight visually rich vignettes drawn from Kurosawa’s own dreams—fox weddings and vanished orchards, a soldier’s ghosts, a walk through Van Gogh’s canvases, nuclear nightmares, and a water-mill utopia—meditate on childhood, art, mortality, and humanity’s uneasy bond with nature.

An aging foundry patriarch, gripped by terror of nuclear annihilation, tries to uproot his family to Brazil. When they petition to have him declared incompetent, a family-court counselor witnesses his obsession slide into ruin—and asks whether ignoring the atomic threat is any saner.

Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older.

A bad day gets worse for young detective Murakami when a pickpocket steals his gun on a hot, crowded bus. Desperate to right the wrong, he goes undercover, scavenging Tokyo’s sweltering streets for the stray dog whose desperation has led him to a life of crime. With each step, cop and criminal’s lives become more intertwined and the investigation becomes an examination of Murakami’s own dark side.

After their lord is tricked into committing ritual suicide, forty-seven samurai warriors await the chance to avenge their master and reclaim their honor.

During the raging war between the Toyotomi and Tokugawa clans, the swordsman Mohei (whose family has been completely decimated) is recruited by Toyotomi to overcome the seat of power, Osaka Castle. Mohei's daredevil skills will be put to severe tests.

Fumiko and Ryōtarō Namiki's marriage has gone stale, with both constantly arguing over what to do on a day off, or about her cutting out recipes from the newspaper before he finishes reading it. Their animosities are witnessed by Fumiko's niece Ayako, who visits to complain about her own husband's inattentiveness, and their new neighbours, the Imasatos.

Kansuke Yamamoto is a samurai who dreams of a country united, peaceful from sea to sea. He enters the service of Takeda, the lord of Kai domain. He convinces Takeda to kill the lord of neighboring Suwa and take his wife as a concubine. He then convinces the widow, Princess Yu, to accept this arrangement and to bear Takeda a son. He pledges them his life. He then spends years using treachery, poetic sensibility, military and political strategy to expand Takeda's realm, advance the claim of Yu's son as the heir, and prepare for an ultimate battle with the forces of Echigo. Has Kansuke overreached? Are his dreams, blinded by love, too big?

Starring Akira Takarada as a lightweight boxing champion.

The family of an older man who runs a small sake brewery become concerned with his finances and his health after they discover him visiting an old mistress from his youth.

While on a business trip to Kyushu, a paint company president competes with a rival firm for a key overseas client, only to face setbacks both in work and in the personal affairs of his team.

As Marukyū Department Store plans its Hawaii expansion, company executives become sidetracked by local pleasures and personal entanglements. By the time they resume business, the target property is lost to a rival—forcing an abrupt return to Japan with both deals and relationships unresolved.

It's a man's world. Shimamura, an artist, comes to this snowbound town to rejuvenate himself. He connects with Komako, a geisha he met on a previous trip, and it seems like love. She's the foster daughter of a local family, almost engaged to the family's son Yukio, now dying of consumption. He's tended by his sister Yuko who's angry at Komako for abandoning her brother. Shimamura returns to Tokyo but promises he will be back soon. In anticipation of his return, Komako breaks with her patron and her family loses their home. Complications arise when Shimamura doesn't come back as promised. Then Komako discovers that he and Yuko knew each other in Tokyo. Can Komako escape destiny?

In post-war Japan, The Second Drawer follows Funada, a devoted company man whose planned family trip is disrupted by the sudden death of his boss. Thrust into a delicate business negotiation and a chance encounter with a mysterious woman, he becomes entangled in a quiet storm of corporate intrigue, personal sacrifice, and emotional complexity. As relationships shift and secrets surface, Funada must navigate the fine line between duty and desire in a world where ambition and morality rarely

1958 Japanese movie

The fourth and final "Comic Storyteller" feature.

Directed by Hiroshi Inagaki, the drama, set in the brothels of Shimabara in post-war Kyoto, is a moving look at the lives of women of tenacity and resilience.

A struggling salesman at World Electric finds his major deal blocked by internal politics and pressure from all sides. During a company trip to Beppu, personal entanglements and old company secrets surface, forcing difficult choices and quiet compromises.

Based on a radio drama.

1968 film