Branded to Kill

A reporter Takuo, who is sleeping in the newspaper room of the Maichō newspaper company, receives a sudden report from a reporter that the missing Akiyama JNR president was found dead.

A story about the friendship of the sons of two political rivals.

The eleventh entry in the Toei Fushigi Comedy Series. Yuko Murikami stops by a shrine to pray for the new school year. Yuko accidentally breaks the bell and drops it on top of a turtle's head. Because she is the only person that stopped by the shrine in a long time, he grants her the power to become a superheroine, based on another ancient deity. It is her job to protect her neighborhood from the threats it faces. By yelling "Cosmo Magic! Métamorphose!!", she transforms into the Masked Beauty Poitrine!

Follow the exciting adventures of Arsene Lupin III, the grandson of the world's greatest thief, Arsene Lupin. Together with Daisuke Jigen, Goemon Ishikawa and his love interest Fujiko Mine, he carries out the greatest robberies of all time, all the while evading the control of Inspector Koichi Zenigata.

Inspired by American TV movies like "Hitchcock Theater" and "The Twilight Zone," the show features multiple works with Tamori as the storyteller and actors as the main characters. While horror and supernatural themes are predominant, a variety of genres like comedy and drama are also produced. Most episodes, however, have a bad ending.

Nobuo is a hot-headed hoodlum fresh out of reform school who struggles to make a clean break with his tearaway past.

An unofficial sequel to Million Dollar Match (1961) which also starred Koji Wada as a young energetic boxer. This story deals more with betting action surrounding a boxing match, concentrating mostly on the high-powered Yakuza gambling dens.

Kenichi is a half-Japanese, half-Chinese man of the underworld. You can sell him anything except children's organs. His domain is in Kabukicho, a gangland controlled by various Shanghai gangs intent on taking control. His former partner-in-crime, Fu-Chun, is rumored to have returned to Kabukicho, having fled years earlier after killing the number two of gangland boss, Yuan. Yuan wants to get even and attempts to do so by using Kenichi.

After his own gang sets him up to kill a rival mobster, a hit man is forced to flee with his younger brother.

After yakuza boss Kurata dissolves his own criminal empire, a rival kingpin offers a position to Kurata's top operative, Tetsuya "Phoenix Tetsu" Hondo. When the fiercely loyal Tetsu declines, Otsuka taps unstoppable Tatsuzo the "Viper", a ruthless gun-for-hire, to assassinate him. As the Viper trails his target through the countryside, the agile Phoenix Tetsu grows concerned that one of his former associates has betrayed him.

Kiroku boards with a Roman Catholic family and falls for the daughter Michiko. He ignores his feelings, joins a gang, gets in fights and, eventually, becomes involved with the radical Kita Ikki group.

Based on a true story. Shiro, a dog who lives in an inn on Akajima in Okinawa, swims to the opposite shore on Zamami to see his love, a dog named Marilyn. Shiro is portrayed by the real-life Shiro.

When a mysterious stranger muscles into two rival yakuza gangs, Tokyo's underworld explodes with violence.

Volunteering as a "comfort woman" on the Manchurian front, where she is expected to service hundreds of soldiers, Harumi is commandeered by the brutal Lieutenant Narita but falls for the sensitive Mikami, Narita's direct subordinate. Seijun Suzuki's Story of a Prostitute is a tragic love story as well as a rule-bending take on a popular Taijiro Tamura novel, challenging military and fraternal codes of honor, as seen through Harumi's eyes.

In the shady black markets and bombed-out hovels of post–World War II Tokyo, a tough band of prostitutes eke out a dog-eat-dog existence, maintaining tenuous friendships and a semblance of order in a world of chaos. But when a renegade ex-soldier stumbles into their midst, lusts and loyalties clash, with tragic results. With Gate of Flesh, visionary director Seijun Suzuki delivers a whirlwind of social critique and pulp drama, shot through with brilliant colors and raw emotions.

A 1920s playwright meets a beautiful woman who may be the ghost of his patron's deceased wife.