Shinzōyaburi no oka

The picture belongs to the jidai gekki (historic) genre. It is a powerful story of violence and eroticism, picturing a world at once sordid and poetic, with two central themes which intermingle to compound an admirable panel of a critical period in Japanese history: the great famine in the mid 19th Century.

Kitagawa Utamaro is a famous ukiyo-e artist known for his paintings of beautiful women. The courtesan who became his model became even more popular. Ocho, a resident of an apartment building, hears about this and secretly plans to follow Otose, the owner of Mizuta-ya, who became famous as Utamaro's model. At this time, the Kano school, headed by Kano Eikawa, which was under the control of the shogunate, is dissatisfied with Utamaro's fame and tries to compromise him…

Adaptation of Junichiro Tanizaki's novel whit the same name. It is perversely erotic relationship between a young salaryman and his teenage wife whom he 'adopted' at first as to 'train' her to be his idealistic modern woman.

Princess Oboro, the queen of the Tanuki palace and stubborn at heart, falls in love with coffeehouse worker Kurotaro at first sight.

After running away from her mother, Ashiko works as a maid at an inn and changes her name, but she finds herself torn between her past and a new relationship with a lonely trader on the beach of Atami.

At a long-established katsuobushi wholesaler in Nihonbashi, the second-generation president leaves operations to the capable young manager raised within the family. The manager and the president’s daughter bicker constantly, masking unresolved feelings. When a dispute involving the president’s mistress surfaces, the incident strains both the household and the business.

The tale of Katakana Yonetaro aka "The Shark," a rough-and-tumble horse trader in Japan's northernmost island of Hokkaido, despite being a father and a husband he is frequently drawn to taverns.

Utsugi, a seventy-seven-year-old man of refined tastes who is recovering from a stroke, discovers that, while his body is decaying, his libido still rages on -- unwittingly sparked by the gentle, kindly attentions of his daughter-in-law Satsuko, a chic, flashy dancer with a shady past. Pitiful and ridiculous as he is, Utsugi is without a trace of self-pity, and his diary shines with self-effacing good humor.

Once upon a time, Okuro (Ayako Wakao), a young female racoon, lived poorly with her drunken father. One day after they disguised themselves as parasols, they were wrongly brought to the Racoon Palace, where the young racoon princess (also Ayako Wakao) made a mess of her arranged marriage with the beautiful racoon prince (Raizô Ichikawa). Pretty princess ran away. In order not to spoil the promising marriage, people tried to make use of resemblances between Okuro and the princess. Before long, Okuro and the Prince fell in love with each other...

If two clouds go away, the eyes of a maiden who gets wet in tears, Tsukaman Aise who earnestly wished, and the two who cried under the harsh trials of ten years when they fell in love and fell in love, climbed the hill of memories again. Surprisingly, there was an event that turned a moment of joy into tears ...

During the Warring States era of early 17th century Japan, teenage princess Sen is besieged with other members of her family in Osaka Castle, by a rival force led by her grandfather.

The Snake Princess in hot pursuit… The stand-in bride enters the castle… But her true identity has been exposed… Life or death hinges on obtaining the mirror. A lavish period drama full of twists and turns.

A film filled with eroticism and humor, set in the Northern Alps where a naked woman has appeared, as depicted in the article “Naked Woman Appears in the Jungle,” and featuring a showman and a newspaper reporter.

Driven by a murderous intent, he pursues the palanquin carrying the renowned onnagata Kikunosuke, who has taken the place of the princess destined to marry the lord of the Okazaki domain.