Scream of the Demon Lover

Robert MacGregor and Gladys MacGregor is a marriage that is dedicated to hunting outlaws wanted by the justice. But instead of delivering them alive, kill them in order to steal from them and also collect the reward. She deceives them and he kills treason, winning the love of great gunslinger. But ambition leads them to face a cruel and cunning murderer who kills for Donna. However, a mysterious stranger appears, Ross Stewart which initially appears to be from Robert. However, when the latter's wife dies, he unveiled plans stranger ...

Soldiers on a mission from a fort on the Northwest Frontier of British-Raj India argue over tactics as they seek to deal with reports of a native uprising.

Javier López Cronwell, journalist, son of an American and a Spaniard, comes to Spain to write a series of anti-communist articles. The boy is politically neutral and emotionally and personally cold. He comes into contact with his paternal grandfather and the friends of his father, who died in our Liberation War, who propose that he take the provisional ensigns as a topic for his article. He prepares his return to North America without waiting to see the 25th anniversary Victory Parade, despite the wishes of his father's friends, old ensigns who will parade to show the world that they are still in the breach.

In Old Calfiornia, an unscrupulous adventurer massacre Indians in order to find an ancient (and precious) talisman they are supposed to hide. Zorro will be on the rescue to protect both the pioneers and the Indians. This adventure has very little in common with the traditional swashbuckling backstage of Zorro's films but many elements of a western film.

Private detective Germán Areta el Piojo investigates the life of a gay man who has apparently abandoned his partner. When they both turn up dead, it seems one killed the other before committing suicide, but Areta is not convinced.

After his son dies, an elderly man comes back to Spain from the US and hopes to find out which of his granddaughters is true, and which one is bastard.

Jose, a journalist and radio broadcaster, runs a daily program which has garnered a huge national audience as a satirical chronicle of Spanish society in the democratic transition of the late 1970s. Married and separated from Elena, Jose has two children, whom he only sees from time to time. Then he meets Maite, younger than him, outgoing and more open-minded than he wants. The emotional shock caused by his relationship with these two women will change his pessimistic view of life.

José is a happily married executive, with children, a flat in Madrid and a house in the suburbs. It's Friday and the weekend seems to follow the usual pattern: football match with mates, travel to the mountains and family visit. Nevertheless, José feels no motivated by his routine, he no longer distinguishes leisure from their obligations, all of which result in an unexpected final decision by his attentive wife.

During World War II, a tough officer organizes a commando raid into Germany.

A series of vignettes set in Madrid, where its residents manage to sustain entertainment, hope and love in a city still suffering the wounds caused by the Spanish Civil War.

An adaptation of the anonymous sixteenth century novel Lazarillo de Tormes (1554), it tells the story of Lazarillo, a poor boy who has to live by his wits after being sold to a series of cruel masters.

Hud's parents were murdered, their land stolen and now Hud will dish out justice to the guilty - the three Clark brothers know they are in danger but they don't know from where the blow will come.

Upon his uncle's death, Serge Chekov journeys to a spooky Scottish village for the reading of the will. But when he inherits the estate, Serge runs afoul of his uncle's jealous wife, his business partner, his maid, and others. It's not long before zombies join the fray…

Colonel Cordero implements new taxes among the population in Monterrey without the governor's knowledge. Antonio Sandoval, who has returned from his studies to his hometown, becomes aware of the hustle and bustle of the colonel and makes life difficult as a masked Zorro for the tyrannical alcalde at every opportunity and time of day.

Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

The Allied D-Day invasion is a success, and German forces begin leave Normandy. After an ambush takes out a set of Panzer tanks led by German Lt. Hunter, he finds himself alone with his unit in what may be the last Panzer that's still operational. While traveling through the French countryside, Cooper meets Jeanette, a woman who offers to lead the troops back to Germany, but his feelings for her get in the way of his survival instincts.