More Dollars for the MacGregors

Little Europe, a town in the American West, is chosen as the site for a European Music Festival to be internationally broadcast via television. The peace of the village is put in jeopardy when it comes to electing judges because the dormant antagonisms of the descendants of Italian, Spanish, French and Germans will be awakened, but the good sheriff easily resolves the dispute. Then the problem becomes more acute when the lawyer Betty, a comely young lady, who is late in coming to the event because she was seized by the henchmen of an industry bully who wants to influence the victory of one of his favorite songs.

Javier López Cronwell, journalist, son of an American and a Spaniard, comes to Spain to write a series of anti-communist articles. The boy is politically neutral and emotionally and personally cold. He comes into contact with his paternal grandfather and the friends of his father, who died in our Liberation War, who propose that he take the provisional ensigns as a topic for his article. He prepares his return to North America without waiting to see the 25th anniversary Victory Parade, despite the wishes of his father's friends, old ensigns who will parade to show the world that they are still in the breach.

A former Canadian Mountie escorts a group of women and coffins to Fort Eagle, but finds it destroyed and remains to defend the fort from a gang of marauding Indians and outlaws led by the mysterious Renegade who are after a shipment of gold bullion.

Private detective Germán Areta el Piojo investigates the life of a gay man who has apparently abandoned his partner. When they both turn up dead, it seems one killed the other before committing suicide, but Areta is not convinced.

Members of a German tank crew become trapped behind enemy lines.

After his son dies, an elderly man comes back to Spain from the US and hopes to find out which of his granddaughters is true, and which one is bastard.

Three men plan a jewelry heist abroad the Andalusia express train.

This movie doesn't have any coherent plot. It's the portrait of the lives of different people in the hard years of post-war in Spain (the 40's), and how they manage to survive in a country desolated by the war. Like other films: La colmena or Roma (Fellini) it shows us lots of characters and some moments of their lives.

During World War II, a tough officer organizes a commando raid into Germany.

Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

Upon his uncle's death, Serge Chekov journeys to a spooky Scottish village for the reading of the will. But when he inherits the estate, Serge runs afoul of his uncle's jealous wife, his business partner, his maid, and others. It's not long before zombies join the fray…