José Luis Merino

Directing

José Luis Merino

Born June 10, 1927 · Madrid, Madrid, Spain

Died July 2, 2019 · aged 92

Jose Luis Merino (10 June 1927 – 2 July 2019) was a Spanish film writer and director who developed a cult following among horror film fans. He was born in 1927 in Madrid, Spain, as José Luis Merino Boves, and went on to direct around 30 films during his long and varied career as director and writer (1958–1990), most of them action/adventure films, crime dramas , spaghetti westerns, war movies and…

Known For

Europa cantaEuropa canta · 1966
Europa canta
9.01966
MovieComedyWestern
Little Europe, a town in the American West, is chosen as the site for a European Music Festival to be internationally broadcast via television. The peace of the village is put in jeopardy when it comes to electing judges because the dormant antagonisms of the descendants of Italian, Spanish, French and Germans will be awakened, but the good sheriff easily resolves the dispute. Then the problem becomes more acute when the lawyer Betty, a comely young lady, who is late in coming to the event because she was seized by the henchmen of an industry bully who wants to influence the victory of one of his favorite songs.
El rayo desintegradorEl rayo desintegrador · 1966
El rayo desintegrador
8.01966
Movie
Andalusia ExpressAndalusia Express · 1956
Andalusia Express
6.01956
MovieCrimeDrama
Three men plan a jewelry heist abroad the Andalusia express train.
Donde hay patrón...Donde hay patrón... · 1978
Donde hay patrón...
5.91978
MovieComedyMusic
TobiTobi · 1978
Tobi
5.11978
MovieComedyDrama
A story about a little boy who grows a pair of wings on his back, giving him the appearance of an angel. The boy draws the attention of his community including doctors, scientists and schoolmates. The wings are surgically removed but eventually they grow back.
Double FeatureDouble Feature · 1984
Double Feature
5.51984
MovieDrama
Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.
The Hanging WomanThe Hanging Woman · 1973
The Hanging Woman
5.51973
MovieHorror
Upon his uncle's death, Serge Chekov journeys to a spooky Scottish village for the reading of the will. But when he inherits the estate, Serge runs afoul of his uncle's jealous wife, his business partner, his maid, and others. It's not long before zombies join the fray…
El crack dosEl crack dos · 1983
El crack dos
6.91983
MovieDramaThriller
Private detective Germán Areta el Piojo investigates the life of a gay man who has apparently abandoned his partner. When they both turn up dead, it seems one killed the other before committing suicide, but Areta is not convinced.

Filmography

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Double FeatureDouble Feature · 1984
Double Feature
5.51984
MovieDrama
Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

Production Manager