Fuga nella tempesta

TWO LOOK-A-LIKES IN HAPPINESS is a 1956 comedy film directed by Ignazio Ferronetti, starring Lauro Gazzolo, Anna Maria Ghiani, and Scilla Gabel, with a running time of 85 minutes.

It seems that Zarre (Guido Celano), the man chosen to be the jockey for the Lupa contrada, and fiance' to Fiora (Leda Gloria), becomes enamored of a cafe' chanteuse. Bachicche, the jockey of a rival neighborhood, wants to get even with Zarre for a past offense and enlists the help of the chanteuse, Liliana (Laura Nucci).

In Amalfi, a young man loves a girl who prefers the organizer of a beauty contest. The rejected lover finds an unexpected ally in the girl's aunt, an elderly dramatic actress who lives in the memory of a suitor who she believes committed suicide for her (instead, he survived and is present in the same tourist resort).

A famous composer, distraught after his lover leaves him, contemplates suicide. He meets a young woman who restores his will to live.

ETTORE FIERAMOSCA was based on a widely-read literary action epic by Massimo D'Azeglio, published in 1833. Translated to the screen in 1938 by the most important director of the Italian fascist period, Alessandro Blasetti, it was intended to boost current patriotic fervor and pride in the Italian nation, and it contributed to a revival of Italian nationalism.

The story is the harried attempt of a Sicilian partisan, as part of the risorgimento, to reach Garibaldi's headquarters in Northern Italy, and to petition the revered revolutionary to rescue part of his besieged land. Along the way, the peasant hero encounters many colorful Italians, differing in class and age, and holding political opinions of every type. There is a key train scene, and the film ends on the battlefield, Italian unification a success, despite brutal losses.

A blacksmith from Montevergine, accused of murder, flees to Argentina. Years later, a mute witness testifies to his innocence, leading to his acquittal. Just before returning home, an Argentine woman plants opium in his luggage, resulting in a ten-year prison sentence. After his release, he finds his daughter engaged to a wealthy landowner who had falsely accused him. Enraged, he plans to kill the man but is moved by grace at the Marian Shrine, lays down his weapon, and makes peace with his enemy.

A bankrupt aristocrat tries to keep up appearances while his situation worsens. To top it off the life savings given to him by a beggar to invest has been mistakenly claimed by the aristocrat's altruist society for their annual Feast of the Poor.

Based on a Pirandello play, Vittori De Sica plays a wealthy young social lion who has to constantly fight off a horde of women who are eager to marry him because of his position and money. He weds Elisa Cegani, a servant girl, who turns out to be a more appealing wife than any of the others could have been. Assis Noris decorates the screen well as one of the chasers and pursuers. In 1937, De Sica and Noris made a film, "II Signor Max," which, other than the setting and character role names, basically has the same plot as this film.

There were very few commercial feature films made during the Italian fascist era that were as openly propagandistic as this famous (notorious?) dramatic paean to the Blackshirts. The story takes place in a small village in Italy in October of 1922, on the eve of the fascist "March on Rome", in which King Victor Emanuel III was persuaded to consign power to Benito Mussolini. Gianfranco Giachetti is Dr. Cardini, a doctor at the local psychiatric hospital, where a strike has been called by the local socialists. Cardini turns to the fascists to help avert the strike. His son Roberto (Mino Doro) rounds up fascist friends to fight those aligned with the strikers and the town's socialists.