Carlo Romano

Acting

Carlo Romano

Born May 8, 1908 · Livorno, Tuscany, Italy

Died October 16, 1975 · aged 67

No biography available.

Known For

I VitelloniI Vitelloni · 1953
I Vitelloni
7.71953
MovieComedyDrama
Five young men dream of success as they drift lazily through life in a small Italian village. Fausto, the group's leader, is a womanizer; Riccardo craves fame; Alberto is a hopeless dreamer; Moraldo fantasizes about life in the city; and Leopoldo is an aspiring playwright. As Fausto chases a string of women, to the horror of his pregnant wife, the other four blunder their way from one uneventful experience to the next.
Melody of LoveMelody of Love · 1952
Melody of Love
9.01952
MovieDramaRomance
A comedy with lots of Neapolitan songs and shots of the Bay of Naples finds Maria Morelli unable to marry her singing sailor/lover, Giacomo because her father, Don Salvatdore Morelli objects. She can't elope because her father has an heart ailment and uses it to hold Maria. Giacomo misunderstands and takes off on a global singing tour.
Seduction Of The SouthSeduction Of The South · 1961
Seduction Of The South
5.31961
MovieHistoryDrama
Based on the events from the Italian civil war. In 1860's, a member of a guerrilla force captures a colonel from the opposing army and later leads one of the sides to victory.
Scandal in the FamilyScandal in the Family · 1975
Scandal in the Family
5.01975
MovieDrama
The industrialist Carlo arrives at his villa in the Piacenza area to spend his holidays with his wife Piera and his daughter Francesca. They will soon be joined by their nephew Milo who will woo and seduce all the women of villa including the busty cook Doris lover of uncle Carlo.
MessalinaMessalina · 1960
Messalina
5.61960
MovieDramaHistory
Messalina was the Roman noblewoman who inveigled ageing emperor Claudio into marriage. Once ensconced on the throne, Messalina launched a reign of terror that shook the empire to its very foundations. The subject of countless film treatments, Rome's most villified empress is herein played by British actress Belinda Lee.
Tomorrow Is Too LateTomorrow Is Too Late · 1950
Tomorrow Is Too Late
6.41950
MovieDrama
Progressive schoolteachers Landi and Anna have a profound influence on two of their young students, Mirella and Franco. The two kids are enamored with one another and decide to experiment with some of the knowledge they've gleaned in the classroom.
Sinfonia fataleSinfonia fatale · 1947
Sinfonia fatale
8.01947
Movie
An American composer moves to Italy and falls for a local country girl right before the start of World War II.
I, His FatherI, His Father · 1939
I, His Father
6.51939
MovieDramaRomance
An ex-boxer has trained his own son and leads him on to win the middle-weight championship of Italy. But the boy falls easy prey to a woman of light morals and renounces the hard work of sport to follow her to a winter luxury resort and at a certain moment, offers to marry her but she, not wanting to give up an advantageous connection, turns him down, advising the youth to not change the nature of their relationship. Then, the boy feeling the entire baseness of his situation, returns home to his parents who welcome him back with joy and takes up again a commitment to sport.

Filmography

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La RabbiaLa Rabbia · 1963
La Rabbia
7.01963
MovieDocumentary
Documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation", and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future.

Narrator - Part Two (voice)