Emilio Cigoli

Two shoeshine boys in postwar Rome, Italy save up to buy a horse, but their involvement as dupes in a burglary lands them in juvenile prison; the experience take a devastating toll on their friendship.

A re-edited Italian-language dubbed version of the original Godzilla, using as a basis the U.S. version, "Godzilla, King of the Monsters!" (1956), plus WWII newsreel footage and clips from other science fiction films. The re-edited film was then colorized via a process called "Spectrorama 70" consisting of applying various colored gels to the black and white footage. The film's opening and ending also features new music composed by musicians Fabio Frizzi, Franco Bixio, and Vince Tempera (under the pseudonym Magnetic System).

Anna, a woman with a troubled past, marries an honest worker at the SIMA mechanical workshop, who provides her with a decent life despite financial difficulties. Blackmailed by a man who knows about her past, Anna loses her mind and kills him. Sentenced to ten years in prison, she dies in childbirth while giving birth to a baby girl.

During the American Civil War, a Confederate prisoner, Clyde McKay, attempts to steal a box of gold from a Union prison camp. He is aided by a group of prisoners and a prison guard but he is double-crossed along the way.

In his first collaboration with renowned screenwriter and longtime partner Cesare Zavattini, Vittorio De Sica examines the cataclysmic consequences of adult folly on an innocent child. Heralding the pair’s subsequent work on some of the masterpieces of Italian neorealism, The Children Are Watching Us is a vivid, deeply humane portrait of a family’s disintegration.

A team of highly trained Italian seamen are taken to the island of Stampalia where there are to take their torpedo-laden attack craft on a daring attack on the port of Suda.

This adaptation of Stendhal's timeless masterpiece of French literature tells the tale of Fabrice Del Dongo (Grard Philipe) a young archibishop who gives his heart and soul to romance rather than to the Church creating upheaval in the lives of evergone around him the Countess of Sanseverine (Maria Casares) is but one of the may women who love him. In turn she incurs jealous retributions from those in high places who desire her. For his crimes Fabrice is thrown in Prison where from Crimes Fabrice is thrown in prison where form his lonely window he falls in love with his jailer s daughter and plans a daring escape she however calls his plan insane and takes a vow to the Virgin Mary to never see him again ever if his escape succeeds the Charterhouse of Parma explodes with conflicting desires man s desire form God vs. his desire for romance.

In this sequel to Nobody's Children, Guido still longs for Luisa, who has become a nun. Then he meets Lina, a chorus dancer who is a dead ringer for his former lover.