Fernando Coni Campos: Cada um Vive como Sonha

The whole story develops from the doctor Martha, who has worked for 40 years, always at the same clinic in Rio de Janeiro. She knows Cris and realizes that she has found a successor. Then begins the friendship of the two, who try to practice their profession with the utmost ethics, despite the owner of the clinic, who is always trying to say, save.

Thirty-five years after their first meeting, which would change their lives, Argentine guitarist Lucio Yanel and his Brazilian pupil Yamandu Costa reunited to redo, on a trip, the paths that originally led Yanel to the interior of Rio Grande do Sul. Aboard a motor home, with his guitars and memories, master and disciple cross the border of Brazil towards Corrientes, the Argentine's homeland, reflecting on the transformations brought about by the inexorable passage of time.

The reunion of a couple and their recollections of a broken love.

Musical drama that uses popular myths of Brazilian culture to narrate a story full of meetings and misunderstandings, betrayals and loves, crimes and punishments. Against the backdrop of the Pernambuco backlands – its people and its culture, the cordel, the bandits, the cinema and the circus – the film is a universal drama, laden with unique poetry, where reality and the dreamworld mingle.

In Rio de Janeiro, over many days, the director Maria Ramos witnesses and films the judgment of several teenagers accused of stealing, trafficking and murdering. Underage youths are protected by the Brazilian laws and their faces can not be exposed; therefore, they are replaced by teenagers from poor communities.

Abrindo o Armário dives into the process of liberation and conquests of the gay movement in Brazil. Through interviews, archival images and artistic performances, the film shows how homosexuals from different generations faced resistance, conquered spaces and fought for the right to construct a political, social and collective identity.

Three young Brazilian try to help a terminally ill woman who lives in the slums of Rio de Janeiro. Their youthful idealism is shattered with the cruel reality of police brutality.

Rebeca is a shy 13-year old girl. She has just moved with her mother to an isolated neighborhood in a small town, near Rio de Janeiro. Since someone is breaking into empty houses, Rebeca is forbidden to go out and spends her days alone, watching from above the wall the street where she lives. Until she sees Mika, a girl of her age, skating down her street. Soon Rebecca finds out that Mika is a trans girl. All this time, she’s been stealing small feminine objects from the local houses. The girls are bound together. Their worlds collide.

The trajectory and artistic imagery of actor and director Zbigniew Ziembinski (1908-1978), precursor of modern theater in Latin America and master of generations of Brazilian actors. The polyphonic montage builds on vast unpublished material, covering half a century of performances, teletheaters and interviews by Zimba, as he was known – before and after fleeing Poland, on the eve of the invasion of Warsaw – and recreates fragments of Wedding Dress , a play by Nelson Rodrigues which the Polish-Brazilian director won a revolutionary montage in 1943.

Based on a story by the same name by Caio Fernando Abreu, it tells the encounter of a young man and a sergeant in the 1970s.

The man who changed Brazilian journalism. The film focuses on the period of Samuel's life spanning from 1951—the year the newspaper Última Hora was founded—to the mid-1960s, when its decline began.

Graça dreams of fire. When she wakes, she and her daughter, Duda, gather their few belongings and leave the apartment in the middle of the night. The building is occupied by homeless families. The fire breaks out on an uninhabited floor. Graça sets out with her daughter in search of a safe place to spend the night. The living and the dead follow in their footsteps.