Luís Abramo

Based on a story by the same name by Caio Fernando Abreu, it tells the encounter of a young man and a sergeant in the 1970s.

Abrindo o Armário dives into the process of liberation and conquests of the gay movement in Brazil. Through interviews, archival images and artistic performances, the film shows how homosexuals from different generations faced resistance, conquered spaces and fought for the right to construct a political, social and collective identity.

Maria Bethânia takes her poetic narrative to Mozambique for the first time. The interpreter presents excerpts of works connected by different forms of expression in the Portuguese language. With testimonies from Mia Couto, José Agualusa and several Mozambican and Angolan writers and literary critics, the documentary shows the development of literature in these countries, delving on its importance during the anti-colonial resistance, the connection with native languages, the oral traditions and the influence of Brazilian writers.

Thirty-five years after their first meeting, which would change their lives, Argentine guitarist Lucio Yanel and his Brazilian pupil Yamandu Costa reunited to redo, on a trip, the paths that originally led Yanel to the interior of Rio Grande do Sul. Aboard a motor home, with his guitars and memories, master and disciple cross the border of Brazil towards Corrientes, the Argentine's homeland, reflecting on the transformations brought about by the inexorable passage of time.

A film about the universe of Clementina de Jesus, singer revealed at the age of 63 as one of the greatest voices in the history of Samba.

The reunion of a couple and their recollections of a broken love.

In Rio de Janeiro, over many days, the director Maria Ramos witnesses and films the judgment of several teenagers accused of stealing, trafficking and murdering. Underage youths are protected by the Brazilian laws and their faces can not be exposed; therefore, they are replaced by teenagers from poor communities.

Brazil 1970. Zé walks away from his upper-middle-class life and joins the resistance against the military regime. Together with his partner Bete, he abandons public life to fight the system, while also raising two kids. Based on the life of José Carlos Novais da Mata-Machado who died under torture at the age of 27, falsely accused of betraying his companions.

A reflection on the construction of the Brazilian political class, from Getúlio Vargas until the beginning of the 21st century. To the historical facts is added a cunning and ambitious Brizola, but above all passionate about the Brazilian people.

Three young Brazilian try to help a terminally ill woman who lives in the slums of Rio de Janeiro. Their youthful idealism is shattered with the cruel reality of police brutality.

The plot follows Rique, a famous writer who begins to experience the characters from his unfinished book. Lígia, a publisher in crisis, tries to help him finish the work, while Bruna, a young woman with schizophrenia, fantasizes about a relationship with the writer.

The trajectory and artistic imagery of actor and director Zbigniew Ziembinski (1908-1978), precursor of modern theater in Latin America and master of generations of Brazilian actors. The polyphonic montage builds on vast unpublished material, covering half a century of performances, teletheaters and interviews by Zimba, as he was known – before and after fleeing Poland, on the eve of the invasion of Warsaw – and recreates fragments of Wedding Dress , a play by Nelson Rodrigues which the Polish-Brazilian director won a revolutionary montage in 1943.

The film portrays the trajectory and life of the “Agudá” people today. This is a group of descendants of Africans enslaved in Brazil, who returned to their homeland with the end of slavery, and also descendants, Brazilian and Portuguese, of slave traffickers, who settled in that region of Africa in the 18th and XIX. Present in Benin and Togo, the “agudás” assimilated the surname and part of the culture of their masters.

Threshold narrates a story of love and mystery which takes place in an old house inhabited by the young Maria, whose fame as a saint extends well beyond the mountains of the interior of Brazil. The arrival of two new characters has a disturbing affect on Maria: a traveler, for whom "Holy Maria" develops an intense passion, and Aunt Emiliana, an elderly lady determined to prepare for the great miracle.

Documentary on the life of Brazilian sociologist Herbert de Souza, engaged in the struggle against hunger, SIDA and military dictatorship.

Rebeca is a shy 13-year old girl. She has just moved with her mother to an isolated neighborhood in a small town, near Rio de Janeiro. Since someone is breaking into empty houses, Rebeca is forbidden to go out and spends her days alone, watching from above the wall the street where she lives. Until she sees Mika, a girl of her age, skating down her street. Soon Rebecca finds out that Mika is a trans girl. All this time, she’s been stealing small feminine objects from the local houses. The girls are bound together. Their worlds collide.

“Naked Eye” is a film-documentary of long-length of the artistic and existential universe of the singer Ney Matogrosso, which proposes to recreate through archive’s images in counterpoint with the current production of the artist, thirty-five years of career marked for inventive and transgressing spectacles, always symphonize with its time. Through a coherent boarding with its intransigent trajectory, the film intends to translate the language musical-corporal of Ney Matogrosso, trying audiovisuals resources that express signs evoked poetical politicians and in the repertoire of the singer. A film-song that that looks for to, ultimately, embody the voices of an artist who searches for a nation.

A portrait of the evolution of theater in the 20th century and a deep reflection on the art of acting through the career of Paulo Autran (1922-2007), one of the greatest actors in Brazil.

The whole story develops from the doctor Martha, who has worked for 40 years, always at the same clinic in Rio de Janeiro. She knows Cris and realizes that she has found a successor. Then begins the friendship of the two, who try to practice their profession with the utmost ethics, despite the owner of the clinic, who is always trying to say, save.