Luís Abramo

The man who changed Brazilian journalism. The film focuses on the period of Samuel's life spanning from 1951—the year the newspaper Última Hora was founded—to the mid-1960s, when its decline began.

Thirty-five years after their first meeting, which would change their lives, Argentine guitarist Lucio Yanel and his Brazilian pupil Yamandu Costa reunited to redo, on a trip, the paths that originally led Yanel to the interior of Rio Grande do Sul. Aboard a motor home, with his guitars and memories, master and disciple cross the border of Brazil towards Corrientes, the Argentine's homeland, reflecting on the transformations brought about by the inexorable passage of time.

Graça dreams of fire. When she wakes, she and her daughter, Duda, gather their few belongings and leave the apartment in the middle of the night. The building is occupied by homeless families. The fire breaks out on an uninhabited floor. Graça sets out with her daughter in search of a safe place to spend the night. The living and the dead follow in their footsteps.

Rebeca is a shy 13-year old girl. She has just moved with her mother to an isolated neighborhood in a small town, near Rio de Janeiro. Since someone is breaking into empty houses, Rebeca is forbidden to go out and spends her days alone, watching from above the wall the street where she lives. Until she sees Mika, a girl of her age, skating down her street. Soon Rebecca finds out that Mika is a trans girl. All this time, she’s been stealing small feminine objects from the local houses. The girls are bound together. Their worlds collide.

Based on a story by the same name by Caio Fernando Abreu, it tells the encounter of a young man and a sergeant in the 1970s.

The plot follows Rique, a famous writer who begins to experience the characters from his unfinished book. Lígia, a publisher in crisis, tries to help him finish the work, while Bruna, a young woman with schizophrenia, fantasizes about a relationship with the writer.

Ary Barroso was one of the greatest composers of Brazilian music with his successes for the whole planet. Know its history, reconstructed through Ary's own audio files, interspersed with reports from friends and family.

A film about the universe of Clementina de Jesus, singer revealed at the age of 63 as one of the greatest voices in the history of Samba.

Three young Brazilian try to help a terminally ill woman who lives in the slums of Rio de Janeiro. Their youthful idealism is shattered with the cruel reality of police brutality.

In 1996, filmmaker André Luiz Oliveira started preproduction of Viva o Povo Brasileiro, a film adaptation of the novel by João Ubaldo Ribeiro. Principal photography went on for nine years, but the production was shut down after a series of unfortunate events. This documentary retells that story, repurposing the fictional footage and chronicling the work both in front and behind the scenes.

Threshold narrates a story of love and mystery which takes place in an old house inhabited by the young Maria, whose fame as a saint extends well beyond the mountains of the interior of Brazil. The arrival of two new characters has a disturbing affect on Maria: a traveler, for whom "Holy Maria" develops an intense passion, and Aunt Emiliana, an elderly lady determined to prepare for the great miracle.

The trajectory and artistic imagery of actor and director Zbigniew Ziembinski (1908-1978), precursor of modern theater in Latin America and master of generations of Brazilian actors. The polyphonic montage builds on vast unpublished material, covering half a century of performances, teletheaters and interviews by Zimba, as he was known – before and after fleeing Poland, on the eve of the invasion of Warsaw – and recreates fragments of Wedding Dress , a play by Nelson Rodrigues which the Polish-Brazilian director won a revolutionary montage in 1943.

In Rio de Janeiro, over many days, the director Maria Ramos witnesses and films the judgment of several teenagers accused of stealing, trafficking and murdering. Underage youths are protected by the Brazilian laws and their faces can not be exposed; therefore, they are replaced by teenagers from poor communities.

This is a journey of friendship, an Argentinian is going to rediscover his continent while searching for his friend from Bahia. And while the work, the records and the career of this great lady of Brazilian music are well known, the starting point, the training, the first years remained till now in a vaguely legendary and imprecise blur. Thanks to many investigations that concern as many places as times, thanks to journeys back in time through the towns and regions, the film seeks the origins of Maria Bethânia’s voice and style. Helped and led by Bethânia herself, with the assistance of Caetano Veloso and Chico Buarque, the two princes of Brazilian music, along with the complicity of the great Gilberto Gil, the author is allowed to go to the first context : the North-East. In the family home in Santo Amaro, the film finally touches the childhood of Maria Bethânia – and her brother Caetano, and this mysterious point – from which the music radiates.

Abrindo o Armário dives into the process of liberation and conquests of the gay movement in Brazil. Through interviews, archival images and artistic performances, the film shows how homosexuals from different generations faced resistance, conquered spaces and fought for the right to construct a political, social and collective identity.

A reflection on the construction of the Brazilian political class, from Getúlio Vargas until the beginning of the 21st century. To the historical facts is added a cunning and ambitious Brizola, but above all passionate about the Brazilian people.

Musical drama that uses popular myths of Brazilian culture to narrate a story full of meetings and misunderstandings, betrayals and loves, crimes and punishments. Against the backdrop of the Pernambuco backlands – its people and its culture, the cordel, the bandits, the cinema and the circus – the film is a universal drama, laden with unique poetry, where reality and the dreamworld mingle.

While filming a TV special about dolphins in Mexico, Eliana meets a biologist who warns her of an ecological danger, since the greedy Esquivel has stolen a crystal skull from the deep waters of the ocean. That's the start of a great adventure and a romance with the dolphin trainer.

1882: the steamship Savoy sails across the Atlantic Ocean bound for Rio de Janeiro. On board, among the hundreds of Italian immigrants crammed into third class, there are two brothers from Campania who have escaped poverty and are seeking fortune in the New World: Pasquale and Gaetano Segreto. Their younger brother Alfonso, who will join them in 1898 with a Pathé camera, will be one of the pioneers of Cinema, the first to shoot films in Brazil. In a short time, at first selling newspapers and living by their wits, the brothers will become successful entrepreneurs, founding newspapers, amusement parks, cinemas and theatres. But their relationship, over the years, will slowly crumble. After Pasquale's death, a huge fire will definitively put an end to their dream and their empire.

The whole story develops from the doctor Martha, who has worked for 40 years, always at the same clinic in Rio de Janeiro. She knows Cris and realizes that she has found a successor. Then begins the friendship of the two, who try to practice their profession with the utmost ethics, despite the owner of the clinic, who is always trying to say, save.