Elegy

The story of Halil, who, after his father’s murder, was supposed to take on the blood feud but instead chose to avoid it by wandering the mountains, only to be forced to take up arms as a result of unavoidable events.

A whole gang of racketeers in Istanbul share their interests in the next amnesty proclamation, for Osman (Yilmaz Güney), lying in prison for murder, belongs to those who are expected to benefit from this amnesty law...

Ali grew up as an orphan in a village in Kapadokia and became one of Haceli´s henchmen who is the village´s mafia boss. On his orders Ali killed the young Avanos’ son Yasin and went to prison for 15 years. The film starts with Ali being released and returning to the village…

A kind-hearted local tough, haunted by his reputation, struggles to reconcile his violent past with his desire to protect the vulnerable in his community.

Mustafa, known by the nickname "Ipsiz," is a drunkard and a wine lover. He spends the 3-5 kuruş he earns in taverns and is despised by everyone around him. Mustafa lives a poor life, sleeping on the beach at night, while completely different lives are being lived right next to him. A wealthy businessman wants to buy a plot of land near Mustafa's neighborhood to build large houses, but the landowner refuses to sell. The businessman, who has decided to kill the landowner, assigns one of his men to carry out the task. One day, this man comes to the tavern where Mustafa drinks every night and, upon seeing him, sets out to train him as a hired killer.

The plot of Death Curtain is incredibly interesting. According to the film, communists are about to blow up Istanbul with a secret bomb hidden in a curtain, but Murat Davman saves Turkey from this disaster. In the film, the leader of the communists is a woman named Leyla Sayar, while the leader of the Turkish police is another woman, Muallâ Kaynak. Murat Davman, meanwhile, is busy dealing with the bomb while also managing to keep up with both women thanks to his "little" flirtations.

The film tells the story of a gang leader who helps in the national struggle. Paşa receives gold from foreign powers in order to neutralize the National Forces. Meanwhile, Captain Murat, gang leader Kuduz Recep, and his men raid Paşa's house. They seize all the gold and set off for Ankara. Kuduz Recep says he cannot continue on the journey because he was wounded in the raid. He takes the gold and flees with his men. Captain Murat pursues Kuduz Recep and his men. Hamza, one of Recep's men, takes advantage of Recep's injury, ties him up, and throws him into the river. He hides the gold and takes over as the leader of the gang. Captain Murat finds Recep in the river and they begin searching for Hamza together. Captain Murat is killed during a clash with Hamza's men. Meanwhile, Recep finds Hamza and takes the gold. He will then set off to transport the gold to Ankara.

The film is about a cop who switches places with a criminal who robbed a bank. Yılmaz Ali stole a bunch of gold from the bank. He left the gold with his wife Türkan and went abroad. He is attacked by a gang who are after the gold. While in the hospital, he calls for Metin, a police officer who looks exactly like him. He tells Metin that he left the gold with his wife and asks him to take revenge on the gang. Metin returns to Istanbul using Yılmaz Ali's identity. Metin will try to find the gold and take down the gang.

Because of a local blood feud, a peasant family decides to sell its sheep - a most precious commodity - in far away Ankara. During their long train ride, bribes must be paid to petty officials, sheep are stolen or die in the packed, airless wagons, and the sick wife of one of the family's sons becomes deathly ill.

After losing one of his horses in an accident, an illiterate horse cab driver sets out into the desert in a quest for a mythical lost treasure.

When five Kurdish prisoners are granted one week's home leave, they find to their dismay that they face continued oppression outside of prison from their families, the culture, and the government.

Produced, written and directed by Yılmaz Güney within his own personal experiences of capital offense, he dedicates Duvar to male teenagers aged 13 to 19 living behind the bars under diabolical treatments. These teenagers get barbaric corporal punishments, injurious harrows, tortures and sexual abuses just for taking the responsibility of their destiny on a wrong turn.

After betraying his social class, denying his peasant roots and fleeing his native village, Ahmed has become a successful businessman and has found a place in the sun among the bourgeoisie. Azem, his childhood friend, has followed a quite different way. refusing the rat race, he has remained close to people of humble origin. Politically committed, he aspires to be useful to his country and more particularly to the forsaken rural world. The two former friends meet again. Due to the influence of Azem, Ahmed gradually becomes aware that his life is a failure.