The Road

The story of Halil, who, after his father’s murder, was supposed to take on the blood feud but instead chose to avoid it by wandering the mountains, only to be forced to take up arms as a result of unavoidable events.

Pire Nuri has just been released from prison. However, as soon as he gets out, he gets involved in illegal activities again and ends up at the police station. But he somehow escapes punishment. Meanwhile, Hacıhüsrevli Melahat, a notorious pickpocket, comes to the neighborhood where Pire Nuri lives. Hearing this, Pire Nuri goes after Melahat to attract her to his side. However, this time, things don't go as planned. (Ayşe Pay)

A kind-hearted local tough, haunted by his reputation, struggles to reconcile his violent past with his desire to protect the vulnerable in his community.

The plot of Death Curtain is incredibly interesting. According to the film, communists are about to blow up Istanbul with a secret bomb hidden in a curtain, but Murat Davman saves Turkey from this disaster. In the film, the leader of the communists is a woman named Leyla Sayar, while the leader of the Turkish police is another woman, Muallâ Kaynak. Murat Davman, meanwhile, is busy dealing with the bomb while also managing to keep up with both women thanks to his "little" flirtations.

Osman kidnaps Elif with a focus on his goal, but things will not go as expected. A naive and sensitive bond will be formed between this extremely cute and innocent girl and Osman.

The film tells the story of a man trying to find his wife's killer. Returning from a business trip, Yılmaz finds his wife Gülsüm dead. The police then arrive and arrest Yılmaz. At the trial, two neighbors falsely testify against Yılmaz, accusing him of the crime. To avoid being arrested, Yılmaz pretends to be insane. This allows him to avoid going to prison. However, he is admitted to the hospital. Yılmaz will escape from the hospital and attempt to find the killer.

The film deals with the hardships of village life, telling of the cruelty of the village chief towards the villagers. Despite these hardships, it tells of the struggle of the young man nicknamed Yabancı (The Stranger).

The story of four days spent by a hired killer who benefited from the amnesty law with a hired woman.

Because of a local blood feud, a peasant family decides to sell its sheep - a most precious commodity - in far away Ankara. During their long train ride, bribes must be paid to petty officials, sheep are stolen or die in the packed, airless wagons, and the sick wife of one of the family's sons becomes deathly ill.

After losing one of his horses in an accident, an illiterate horse cab driver sets out into the desert in a quest for a mythical lost treasure.

Produced, written and directed by Yılmaz Güney within his own personal experiences of capital offense, he dedicates Duvar to male teenagers aged 13 to 19 living behind the bars under diabolical treatments. These teenagers get barbaric corporal punishments, injurious harrows, tortures and sexual abuses just for taking the responsibility of their destiny on a wrong turn.

After betraying his social class, denying his peasant roots and fleeing his native village, Ahmed has become a successful businessman and has found a place in the sun among the bourgeoisie. Azem, his childhood friend, has followed a quite different way. refusing the rat race, he has remained close to people of humble origin. Politically committed, he aspires to be useful to his country and more particularly to the forsaken rural world. The two former friends meet again. Due to the influence of Azem, Ahmed gradually becomes aware that his life is a failure.