The Stars and the Moon are Holes in the Sky

After her ex-boyfriend dies, an editor becomes obsessed with his fiancée, a woman accused of swindling multiple men out of money before killing them.

In the summer of 1947, various men and women gather at a mansion in the countryside at the invitation of Kazuma Utagawa. They are artists, novelists, poets, painters, playwrights, actresses, etc. Then the murders begin, one after another. The incident seemed to have no continuity...

Makoto Tanaka is 40-years-old and has remarried. His wife is Nanae and they care for 2 daughters from Nanae's prior marriage. Makoto tries to have an ordinary family. Nanae then becomes pregnant. Afterwards, things begin to change among the family members.

A young man living on growing tomatoes in a greenhouse in a residential area. Tomato cultivation is as doomed as his personal life where he tries to keep alive his romance with the eccentric Kaede and parents selected fiancee Ayako.

This movie is a political/espionage thriller, based on a real kidnapping incident of Korean politician, Kim Dae-Jung.

When it rains it pours. Kenji divorced his wife, lost his job and his old squeeze Naoko is getting married back home in the north of Japan, specifically in Akita. He returns there in order to attend her wedding. Naoko surprises him by proposing that they have sex again. The one night stand is the new beginning.

Based on the murder of nine street peddlers in the aftermath of the Great Kanto earthquake.

This erotically charged drama traces the intersecting stories of a group of employees and visitors at a notorious "love hotel" in Tokyo's red-light district.

Toma lives in a small riverside town with his brutish father and his father's girlfriend. Witnessing his father's predilections for abuse, Toma becomes anxious that he will have inherited those urges.

Fukano, an elderly novelist who grew up in the mountains of Tokyo, met a young woman, Kana, for the first time in Fukagawa. Overcoming the age difference, they are strongly attracted to each other. However, in Fukano, in addition to the problem of downtown and uptown, there was a deep “river” that separated women and men. However, Kana, on the other hand, easily crossed that "river" due to her sexual love with Fukano. "I never thought I'd live west of the Sumida River," Kana said. However, behind this lies the conspiracy of Fukano's old lover, Junko. The two get married, but Kana's behavior is gradually haunted by a mystery, and the shadow of her detective and old man flickers. The core of the mystery involved a strange sex shop

Rei is a freelance writer embattled by personal demons. She hears voices in her head, and has sleeping problems, eating disorders and drinks excessively. On Valentine's Day, she meets truck driver Takatoshi. She joins him on a journey in his bumpy and shaky truck - which vibrates in tune with her uneasy soul.

Junko Miyashita plays a mysterious hitchhiker picked up by a brute of a construction worker named Kenzo who takes her back to his run-down and cramped apartment in a not so good part of town. Claiming that she is running away from an abusive husband, she shacks up with him. In a futile attempt to escape the bleak working class surroundings, the pair engage in an obsessive erotic relationship.

Akira's wife walks out on him, leaving him to confide in his gangster brother-in-law. Using only a cryptic note as a clue the two brothers go on a road trip to find his wife. After a series of violent encounters with strangers, Akira meets a prostitute. The pair start a relationship. After Akira finds his wife, he questions whether he still wants to be with her.

The story is about a film director, Kutani, who lives in the dying pink film industry, and an aspiring screenwriter, Iseki, and their loved one, Shoko, whose dream of a film she has clung to begins to crumble, and how their lives intersect.

The story of Takeha, a free-spirited genius poet who lived through Taisho Romanticism, and the women who gave themselves over to his ambitions.

In suburban Tokyo in 1945, years of war and concentrated air raids by US forces have left the city in tatters and the population poor, tired, and hungry. The 19-year-old Satoko and her mother bide their time working nominal jobs and trying to stave off hunger. A displaced aunt turns up looking for shelter, but she is just another hungry mouth to feed. Satoko is becoming a woman and is drawn to the only eligible man in the neighborhood. This is a decidedly quiet film that focuses on a single character and her survival in dire circumstances in the spring of her life.