Junichi Inoue

Yuko Moriyama stars in this ninja period piece as one of seven women determined to exact revenge on the evil lord Akinari Katou and “The 7 Spears”, the band of soldiers he commands. Trained assassins and skilled in sorcery, these men took over the Aizu prefecture and took its most beautiful young women as concubines. They left behind 7 daughters now seeking out Jyubei Yagyuu to help get revenge.

A 40-something disillusioned novelist, Yazoe, haunted by a failed marriage and a crippling personal secret, navigates hollow affairs with a courtesan named Chieko while projecting his emotional void onto the protagonists of his love novels—until an accidental encounter with a naive college student, Noriko Seyawa, unravels his guarded solitude, forcing him to confront his fear of intimacy and the buried trauma shaping his twisted philosophy on love.

Set towards the end of World War II, Nomura (Masatoshi Nagase) is a writer who is in despair. A woman works in bar and is a former prostitute. Many years ago, her father sold her to a brothel due to the family's severe financial hardships. The writer and the woman then agree to live as husband and wife until the war ends. The woman doesn't feel sexual pleasures due to her past, while the man lusts for the woman's body. Meanwhile, Ohira (Jun Murakami) fought for Japan in China. He participated in unconscionable acts against civilians in the name of war. He returns to Japan with only one arm. Ohira then begins to prey on innocent women.

Based on the murder of nine street peddlers in the aftermath of the Great Kanto earthquake.

In Spring 1969, 21-year-old Megumi Yoshizumi goes to Wakamatsu Production. The company makes films popular with young people. Pink film director Koji Wakamatsu gathers there with young talented people who are all fascinated with movie making. When they are not making movies, they spend their time smoking, drinking alcohol, scouting for actresses and looking for material for their next film. When filming begins, everybody immerses themselves into the production and will do everything on the filming set from running, shouting to acting.

Tatsuya Kawakami's mother becomes a member of a religious group after her husband commits suicide, and makes a large donation to the organization. Her three children are forced to live in poverty, and her eldest son, who is blind in one eye due to illness, takes his own life. Kawakami comes to believe that the religious group has ruined his life, so he creates a homemade gun and carries out an assassination plot against former prime minister Shinzo Abe, who has close ties to the religious group, which has been accused of siphoning off money from its members.

Nagoya, 1983: Legendary filmmaker Koji WAKAMATSU decides to open a cinema – not least to show his own films. The Cinema Skhole quickly turns into a hot spot for local cinephiles. Junichi INOUE tells an empathetic and almost true story about motion picture enthusiasts in this loose sequel to Kazuya SHIRAISHI’s DARE TO STOP US.

Yoko is an ordinary housewife living in an ordinary apartment block. She has no real complaints as she goes about her tedious days, although her husband, Shinichi, is rather predictable in bed. They have one son, Junichi, and Yoko feels at a loss regarding his recently-acquired adolescent interest in sex and his secret stash of erotic magazines. Junichi is about to write his junior high school entrance exams, so he’s heading off to cram school camp for New Year’s. Before going, he makes a surprising suggestion, “Why don’t you guys go somewhere for New Year’s?” Yoko and Shinichi are suddenly faced with the prospect of New Year’s apart from their son. How will this couple, who’ve already lived half of their lives, change their behavior when it’s just the two of them?

Mizuho Enomoto debuts as Myst, one of two beautiful ninja sisters who save Iyori, a young samurai on the run. Myst and Bell have a secret, though – one they’ll do anything to protect! As they nurse Iyori back to health, love blossoms – not just between two of them, but between all three! But when Myst’s mentor, the demon hag Ogen, shows up looking for a deadly revenge, their forbidden paradise could be shattered forever!

Lady-killer Ikki Fujisawa uses his boyish charm and his obvious skill at cunnilingus to habitually seduce and then swindle societal elite women out of millions. Keeping a close eye on Ikki's adventures in the hope of a slip-up is a thick-skinned detective who resorts to collaborating with a renowned retired conman in his pursuit of this libidinous criminal.

The countryside, Sawai village, beyond the single- rail terminal station . The fields are spread out here, and there is a huge shopping mall nearby. Chihiro who lives here is still a virgin because Arasa is greeted because she pursued her ideal boyfriend too much. Tachihiro, who thinks it's not good to keep on pleading, calls a humane harmless serious man, Kyohei, who works at the same village office, and invites him to a love hotel, but because they are virgins and virgins who only know sex seen in adult videos, they remain awkward It ends in failure. One day, in the village office, we will hold a marriage hunting party to revitalize the youth and to eliminate depopulation in the whole region . Since women may not be gathering, women at the government office will participate while falling at the end of the day. The small romance pattern in the government office is now crossing.

19-year-old freeter (a Japanese expression for people between the ages of 15 and 34 who lack full time employment or are unemployed, excluding housewives and students.) Tsuyoshi Osanai enters a school for guide dog trainers. After 2 years of training, Tsuyoshi becomes an assistant trainer. His first dog to train is Chie.

A bus full of cult members gets stuck in snow. The cult has to stay in a mountain hotel. Strange things start to happen...

A young man is unable to save a young woman from being assaulted, despite her having helped him out of a difficult situation in the past. Wracked with regret, he decides to provide assistance to her younger twin sister who is plotting revenge against society.

Commissioned by Japan’s largest prep school, Kawaijuku, as an entrance ceremony short, this 1986 film follows a year in the life of a female “ronin” student. Directed by then-rookie Junichi Inoue and produced by iconoclastic filmmaker Koji Wakamatsu, it transforms what should have been a conventional promotional piece into an audacious, subversive portrait of youth, featuring Mikari, Naoto Takenaka, and manga legend Fujio Akatsuka.

A love that should never be allowed, a modern-day fairy tale... a superb performance. The boy's name is Ryo Matsuyama, age 17. The woman's name is Reiko Ozawa, age 29. A plastic curtain hung in the dark, closed-window room, dividing it in two. The woman turned her back, closed her eyes, unable to sleep. The boy remained motionless, staring straight ahead. The woman could sense that the boy was awake. "I've reached a point of no return. As an educator, it was an unacceptable act." The woman tried to fall asleep, battling the bitter pain of a lingering regret. The boy's hand hesitantly approached her body...

In this omnibus movie of four stories about teenagers there is a boy who lives next to a university women's dormitory and he checks them out constantly. He finds out about their relationship with men. He decides to forget about them and decides to date a class-mate. Next three boys want to rent a adult video, but cannot due to their age. Instead they make their own. They meet a girl who is a video store clerk. They fall in love. She also happens to be an actress. Next is a boy in a band who cannot play well as his mind is on a girl who is relocating. The said girl has a man on her mind too. In the fourth story, the world is upside down and the students teach their instructors.

In May 2015, a group of students from Tokyo, ranging in age from 16 to 23, head to a farmhouse in Sukagawa, Fukushima Prefecture. They were met by Kazuya Tarukawa, a farmer, and his mother, Mitsuyo. Kazuya's father took his own life immediately after the nuclear accident, saying that he may have encouraged his son, who had taken over the farming business, down the wrong path. Kazuya struggles as a farmer and the students who listen to him talk about the reality of crops in Fukushima four years after the disaster and the absurdity of TEPCO's compensation system, as well as his determination to carry on farming on his ancestral land.