Kazuo Hara

When a massive, gilled monster emerges from the deep and tears through the city, the government scrambles to save its citizens. A rag-tag team of volunteers cuts through a web of red tape to uncover the monster's weakness and its mysterious ties to a foreign superpower. But time is not on their side - the greatest catastrophe to ever befall the world is about to evolve right before their very eyes.

A 40-something disillusioned novelist, Yazoe, haunted by a failed marriage and a crippling personal secret, navigates hollow affairs with a courtesan named Chieko while projecting his emotional void onto the protagonists of his love novels—until an accidental encounter with a naive college student, Noriko Seyawa, unravels his guarded solitude, forcing him to confront his fear of intimacy and the buried trauma shaping his twisted philosophy on love.

Kenzo Okuzaki, a 62-year-old veteran of the New Guinea campaign in World War II, sets out to conduct interviews with survivors and relatives to find the truth behind atrocities committed by Japanese military, in particular the unexplained killing of two Japanese privates in his unit.

When his wife, the outspoken feminist Miyuki Takeda, announced that she was leaving him in order to find herself, Kazuo Hara began this raw, intensely personal documentary as a way to both maintain a connection to the woman he still cared for and to make sense of their complex relationship. Granted at times shockingly intimate access to Miyuki’s personal life, Hara follows her wayward journey toward liberation as she explores her sexuality with both men and women, becomes pregnant and raises a family as a single mother, and grows increasingly disenchanted with the constraints of traditional social structures.

A group of Japanese tourists try to forget their pasts and find themselves in India.

A couple originally from Okinawa run an inexpensive restaurant in Kobe, with their grade-school daughter, Fuuchan. The movie depicts the warm interaction between her and adults that grew up with the rough history of Okinawa and discrimination from the mainland. Shots partly on location at beach of Itoman, Yogi Park and Hateruma Island. This is the movie version of the well-known novel by Kenjiro Haitani.

Kazuo Hara follows Ayumi Yasutomi, a transgender candidate, who is also a Tokyo University professor, as she embarks on a national campaign for a seat in Japan's Upper House.

Two interns and a nurse are interrogated by American MPs for their involvement in an atrocity during the war: the vivisections of a downed American air crew.

Years after the death of legendary tea master Rikyu, his disciple Honkakubo attempts to resolve the mystery of the master's death.

A profile of the controversial novelist Mitsuharu Inoue, filmed during the last years of his life.

Pig Chicken Suicide is a veritable assault on the senses, mixing violent images of animal slaughter, racial strife and surrealism to tell the story of two Koreans living in Japan who's love is destroyed due to overwhelming racial discrimination.

Toyoichi Otomo suffers from psychological and spiritual troubles after a horrific industrial accident. He lives with his elderly mother and wife near Mt. Aso in rural Kyushu. He seeks solace in a small religious group run by Buddhist nun Chishu-bo who claims to be the 68th descendant of famed 11th century poet Izumi Shikibu. The members of her sect regard her as a living saint. Yet instead of balming his soul, she riles his libido by playing a sexual cat-and-mouse game with the fragile Toyoichi. When she does bed him, it leads to a miracle healing -- followed by a terrible calamity.

Kazuo Hara follows the lives and activities of Yokota Hiroshi and Yokozuka Koichi, members of an activist group made up of people with cerebral palsy.

When her husband is hospitalized with tuberculosis, Chika has a series of three relationships: with a teacher in her hometown, with a student in Tokyo, and with an aging gangster.

There once stood a famous apartment building where such prominent manga artists as Tezuka Osamu, Shotaro Ishinomori and Fujio Akatsuka all lived, worked, and shared experiences. The name of the complex was Tokiwa-so, and these were the early days of artists who would later be revered as legends.

This film is about a lawsuit seeking state compensation for asbestos-related damage in the Sennan area of Osaka. Filmmaker Hara Kazuo records the eight-year struggle of the plaintiffs and their lawyers. A dogged and dramatic depiction of their intense battle.

After years of dumping industrial wastes from the factory to the ocean, Chisso Chemical Corporation contaminated the area of a small Japanese fishing village with excessive amounts of methylmercury. This highly toxic chemical bioaccumulated in fishes of the local water, which when consumed by the local populace resulted in mercury poisoning. In 1977, Minamata disease certification criteria was set by a strange method that tried not to recognize the rights of environmental disease patients. However, an Osaka court won the case for some patients because of a newly developed theory by medical doctors’ recent experiments and proofs. For decades, these patients struggled within the Japanese judicial system for their rights to receive compensation as victims of environmental disease. Those different aspects of these patients’ lives have been filmed by director Hara for the last 15 years, inspired by the late director Tsuchimoto’s documentary MINAMATA: THE VICTIMS AND THEIR WORLD (1971).

Ryo and Natsu love each other immensely. They are also able to feel each other's pain. Their relationship is troubled when Ryo allows himself to be seduced by an office employee.

In Sennan, Osaka, which was one of the largest concentrations of asbestos in Japan, laborers worked in a harsh environment and supported Japan's economic growth. The film begins in July 2008 with the activities of the plaintiffs' lawyers in the Sennan asbestos lawsuit, and continues through the winter of 2013.

A documentary following the lives of people in Mishima, a small island off the coast of Hagi City, Yamaguchi Prefecture.

Sayaka ONO created a painful and deeply moving portrayal of her own vulnerable soul, based on the tense relationship with her parents. Left alone for a entire year at the age of five, she had to grow up with the constant fear of getting abandoned again. Her difficult childhood and youth resulted in depression, frustration and anger, that she now shares with the world.

National Kid is a Japanese TV series produced by Toei Company in 1960. Created by mangaka Daiji Kazumine, it was commissioned by Panasonic, then known as Matsushita Electric, to promote the National brand. Although not very famous in Japan, the series has obtained cult status in Brazil, where it was very popular.