Notre fils

In the city of Lyon, despite the police's best efforts, an elusive assassin is targeting ordinary citizens. They all share one thing in common: suspected of serious crimes, they have all managed to escape justice. In the press and among some of the public, a name is circulating: "The Vigilante." A local police commissioner and a somewhat self-important Parisian profiler, Marie Sainz and Claire Legendre, team up to try and unmask and stop this overconfident killer.

Pio and Anaïs, a couple about to get married, announce to their friends that their wedding will be child-free. However, their friends, who are now parents, decide to bring their children along, thinking they can hide them from the bride and groom.

One of the misfortunes of Boris Vian - and a misfortune for those who love him - is to be born and especially to be dead a bit too soon to have known the new wave. We saw him actor in "A pocket love" and "The Bel Age", Pierre Kast, in "Dangerous Liaisons 1960", Roger Vadim, where he held the role of Prévan, which was like a glove . His friend Prévert had designed him the cardinal's role in "Notre-Dame de Paris" by Delannoy. But never did Boris dare to put on the stage what he had written for the screen: he believed the thing impossible. An episode from the tv-mini-series "Collection rue des ravissantes: Boris Vian fait son cinéma."

Michel Legrand, Agnès Varda, and Anouk Aimee share the story behind the song they created for Jacques Demy's first feature film, LOLA, “C’est moi, c’est Lola".