Comme une ombre

Pio and Anaïs, a couple about to get married, announce to their friends that their wedding will be child-free. However, their friends, who are now parents, decide to bring their children along, thinking they can hide them from the bride and groom.

One of the misfortunes of Boris Vian - and a misfortune for those who love him - is to be born and especially to be dead a bit too soon to have known the new wave. We saw him actor in "A pocket love" and "The Bel Age", Pierre Kast, in "Dangerous Liaisons 1960", Roger Vadim, where he held the role of Prévan, which was like a glove . His friend Prévert had designed him the cardinal's role in "Notre-Dame de Paris" by Delannoy. But never did Boris dare to put on the stage what he had written for the screen: he believed the thing impossible. An episode from the tv-mini-series "Collection rue des ravissantes: Boris Vian fait son cinéma."

The obstacle-strewn journey of Romain and Antoine, a homosexual couple, involved in a long and difficult adoption process. After five years of waiting, they see their adoption application stalled for largely societal reasons: the system's reluctance to place children with a male couple, particularly in so-called “late” adoptions. Despite their sincere love and deep desire to become parents, they encounter prejudice, such as being required to prove the presence of female role models in their social circle.

Michel Legrand, Agnès Varda, and Anouk Aimee share the story behind the song they created for Jacques Demy's first feature film, LOLA, “C’est moi, c’est Lola".