Sister Kam

Legendary chef Mo Yik-Tin is notorious for turning animals into spectacular dishes – tastes always rule over lives under the butcher's knife. Equally thoughtful and fascist, Mo is a fascinating mentor in the eyes of his apprentice. In subtle tension with the TV programme's host, Mo is poised to present his greatest culinary dishes which set off an intense debate with the programme host. A reflection on the general public's food-obsessed culture and celebrity worship, this feature also highlights human's decadence and corrupt excess through the aesthetics of food.

As a long-standing bar prepares to close, owner Hung and his young staff member Yip set out to return unclaimed bottles of wine to their owners. Through these encounters, Yip learns the deep connections between the wines and their stories, gaining insight into Hung’s philosophy. Alongside veteran bartender Bill, passionate mixologist Grace, and singer Adam, they create lasting memories for their customers in the bar’s final days.

High school teacher Cheng looks back to his repressed childhood memories, as he finds an anonymous suicide note in the classroom. He strives hard to prevent another tragedy from happening, meanwhile facing a series of family problems, his wife is divorcing him, and his father is dying.

After her father died, a Hong Kong girl discovers she has two hitherto unknown sisters, one in Taiwan and one in China. To settle her father's debt, she must reunite with them to run the family's hot pot restaurant.

The long-awaited director’s cut, with 30 minutes of unrevealed and breathtaking highlights! The year is 2012. The once-glamourous Club EJ suddenly experiences a hostile takeover. Much like the nightclub industry, the glory days are over for the club’s manager, Foon (Dayo Wong), despite having stood tall in East Tsim Sha Tsui for decades. To make things worse for Foon, the club’s new CEO is none other than his cutthroat ex-wife, Madame V (Sammi Cheng)! Determined to change things up, she leaves Foon and his hostesses with no choice but to transform and modernize in order to breathe new life into their business. Little do they know, a powerful conglomerate has been pulling the strings all along to shut down Club EJ for good. To save their neon empire, Foon and V must join forces and make an epic last stand with the hostesses against what seems to be inevitable doom.

The once-glamourous Club EJ suddenly experiences a hostile takeover. Much like the nightclub industry, the glory days are over for the club’s manager, despite having stood tall in East Tsim Sha Tsui for decades. To make matters worse, the new CEO is none other than his cutthroat ex-wife.

One day Pak, a taxi driver who refuses to retire, meets Hoi, a retired single father, in a park. Although both are secretly gay, they are proud of the families they have created through hard work and determination. Yet in that brief initial encounter, something is unleashed in them which had been suppressed for so many years. As both men recount and recall their personal histories, they also contemplate a possible future together.

Four young lives were changed forever when they become involved in the 1967 Hong Kong Leftist Riot; half a century later, another four face similar challenges amidst the Mainland-Hong Kong conflict.

She is a teacher of Chinese literature, reciting poems and recounting the brilliance of ancient Chinese poets before a class of students whose common parlance is foul language. He is a hormone-charged teenager who makes a paper plane for the teacher from a torn textbook page doodled with drawings of the object of his fantasy. She is a divorcee whose husband was rumoured to have an affair with a student in his school. With partly fascination and partly curiosity, he starts making suggestive remarks in class and stalking her outside the school, rattling her with flirtation. Both carrying a heavy load of baggage, the teacher and her student are about to ignite a spark that will scorch them both.

When Lok's estranged father passed away, he left nothing but an ice cream motorcycle. Lok doesn't know how to ride one, so he has no way but to walk alongside it. During his trip, not only does Lok get to know more about his father, but it also leads him to reflect on his relationship with his son.

Ah Choi has a complicated relationship—she is attached to her boyfriend, Ah Wood, yet weary of their daily interactions, and is drawn to new and fresh ideas. Though she feels lonely, she also cherishes solitude, caring for her own solitary shadow, drifting between two extremes. Wah Chi teaches at an international school and enjoys writing poetry. After her family emmigrated abroad, she lives alone in her old home, accompanied only by a cat. Dreams, daily life, and poetic sensibility gradually blur together, turning into a series of images. The diversity and fleeting nature of modern society have caused them to lose their sense of time and connection.

Shan, a Hong Kong cosmetologist, learnt about the art of solitude during the lockdown period of pandemic. As the regulation of prohibition on group gathering was imposed in April 2020, Shan had to close down her small business and build a new daily routine.

Sherman is a journalist working on a feature story about Kintsugi, the ancient Japanese art of repairing ceramics with powdered precious metals, a manifestation of the Japanese philosophy of embracing the flawed or imperfect. As she learns of a Japanese Kintsugi master's arrival in Hong Kong, she arranges an interview with him and brings along some broken ceramic pieces to the Kintsugi lessons. Sherman unexpectedly runs into her ex-boyfriend, Chun, whom she has not seen for a long time. Because of Sherman's feature, the two are re-acquaint with each other. Sherman is troubled about Chun’s entering her life again. The shattered pieces and the broken relationship - can all that be repaired?

High school student Faye leads a lonesome life, being bullied at school and her family living abroad. She keeps a distance from people, including her classmate Yiu whom she secretly admires. Yearning for love and desperate to break away from her mundane life, Faye becomes a part-time girlfriend named “Sushi”. A delicate dish on the sushi conveyor belt, Faye is coveted and manipulated by the assortment of men who seek her services. Her life is further complicated when Yiu suddenly confesses his affection for her on the phone. Navigating the tumultuous journey of love, will Faye finally be able to lift herself up, take the lead and find her way?

Fong Ka-Man, has been leading a middle class lifestyle. One day, during a heavy rain in the dusk, bearing the fear of illness, she is unwillingly staying away from the rain inside the tunnel. She first encounters a weird tramp, and then a young farmer who is rushing to deliver his harvest. It’s about how the “normal” passes by the “abnormal”. What makes them “normal” and “abnormal” seems to be realistic, but maybe it is just a void. Fong Ka-Man is anxious to find an exit from the difficult circumstance, but accidentally she finds out that what she yearns for is the disappeared end of this city.

Lam Ka-wai is a young rebellious man who seldom goes home early and always quarrels with his parents. One day, a zombie followed Lam back home. Except for Lam, both of his parents and sister became zombies. Even though Lam managed to keep them under control, he could not leave his home. Forced to stay there, Lam had no choice but to live with his family. He had never really cared about his family, but he was starting to learn how to get along with them. Lam gradually understood their daily habits and started to regret not cherishing the good old days with his family. Unfortunately, Lam was later bitten and also turned into zombie when he searched for food outside. Will Lam choose to die with his whole family or become zombies all together?