Days After n Coming

Legendary chef Mo Yik-Tin is notorious for turning animals into spectacular dishes – tastes always rule over lives under the butcher's knife. Equally thoughtful and fascist, Mo is a fascinating mentor in the eyes of his apprentice. In subtle tension with the TV programme's host, Mo is poised to present his greatest culinary dishes which set off an intense debate with the programme host. A reflection on the general public's food-obsessed culture and celebrity worship, this feature also highlights human's decadence and corrupt excess through the aesthetics of food.

As a long-standing bar prepares to close, owner Hung and his young staff member Yip set out to return unclaimed bottles of wine to their owners. Through these encounters, Yip learns the deep connections between the wines and their stories, gaining insight into Hung’s philosophy. Alongside veteran bartender Bill, passionate mixologist Grace, and singer Adam, they create lasting memories for their customers in the bar’s final days.

High school teacher Cheng looks back to his repressed childhood memories, as he finds an anonymous suicide note in the classroom. He strives hard to prevent another tragedy from happening, meanwhile facing a series of family problems, his wife is divorcing him, and his father is dying.

After her father died, a Hong Kong girl discovers she has two hitherto unknown sisters, one in Taiwan and one in China. To settle her father's debt, she must reunite with them to run the family's hot pot restaurant.

The long-awaited director’s cut, with 30 minutes of unrevealed and breathtaking highlights! The year is 2012. The once-glamourous Club EJ suddenly experiences a hostile takeover. Much like the nightclub industry, the glory days are over for the club’s manager, Foon (Dayo Wong), despite having stood tall in East Tsim Sha Tsui for decades. To make things worse for Foon, the club’s new CEO is none other than his cutthroat ex-wife, Madame V (Sammi Cheng)! Determined to change things up, she leaves Foon and his hostesses with no choice but to transform and modernize in order to breathe new life into their business. Little do they know, a powerful conglomerate has been pulling the strings all along to shut down Club EJ for good. To save their neon empire, Foon and V must join forces and make an epic last stand with the hostesses against what seems to be inevitable doom.

The once-glamourous Club EJ suddenly experiences a hostile takeover. Much like the nightclub industry, the glory days are over for the club’s manager, despite having stood tall in East Tsim Sha Tsui for decades. To make matters worse, the new CEO is none other than his cutthroat ex-wife.

One day Pak, a taxi driver who refuses to retire, meets Hoi, a retired single father, in a park. Although both are secretly gay, they are proud of the families they have created through hard work and determination. Yet in that brief initial encounter, something is unleashed in them which had been suppressed for so many years. As both men recount and recall their personal histories, they also contemplate a possible future together.

Four young lives were changed forever when they become involved in the 1967 Hong Kong Leftist Riot; half a century later, another four face similar challenges amidst the Mainland-Hong Kong conflict.

Behind Mongkok’s Portland Street where French music plays in cute little artsy cafés, the back alley is a totally different world. Sister Kam washes dishes in the alley every night. She fights with the workers at the rubbish collection point and proudly boasts to the waiters how she could slaughter a pig on her own. She works till midnight and gets up at 5:30am, day after day. In the thousands of alleys in Hong Kong, stories that speak of life’ struggles wait to be told.

Kwan believes that she is unique. Enclosed in solitude within her own literary world and deprived of affections from her family, she longs for love in whatever form it takes - no matter how distorted. She considers the detention class with Mr Cheung a shelter from the world, until it is shattered together with all her hopes. She finally comes to the realisation that it is the world that goes against her. There is no hiding place for her no matter how hard she struggles……

She is a teacher of Chinese literature, reciting poems and recounting the brilliance of ancient Chinese poets before a class of students whose common parlance is foul language. He is a hormone-charged teenager who makes a paper plane for the teacher from a torn textbook page doodled with drawings of the object of his fantasy. She is a divorcee whose husband was rumoured to have an affair with a student in his school. With partly fascination and partly curiosity, he starts making suggestive remarks in class and stalking her outside the school, rattling her with flirtation. Both carrying a heavy load of baggage, the teacher and her student are about to ignite a spark that will scorch them both.

In the pitch-black night, a thread of light slowly appeared on the horizon, reflecting shimmering patterns on the waves; it was the dawn wandering and drifting across the ocean, illuminating the path for sailors returning home. Before navigation systems existed, those who went to sea relied on lighthouses to recognize each coastline. By the frequency of a lighthouse's flashing, sailors knew land was nearby, and home was not far away. With a glance, they could tell the direction of home. The lighthouse has stood on the island for over a hundred years, always lighting the way for those returning. To the wanderers far away, and to the lighthouse guiding the way by the shore.

When Lok's estranged father passed away, he left nothing but an ice cream motorcycle. Lok doesn't know how to ride one, so he has no way but to walk alongside it. During his trip, not only does Lok get to know more about his father, but it also leads him to reflect on his relationship with his son.

Ah Choi has a complicated relationship—she is attached to her boyfriend, Ah Wood, yet weary of their daily interactions, and is drawn to new and fresh ideas. Though she feels lonely, she also cherishes solitude, caring for her own solitary shadow, drifting between two extremes. Wah Chi teaches at an international school and enjoys writing poetry. After her family emmigrated abroad, she lives alone in her old home, accompanied only by a cat. Dreams, daily life, and poetic sensibility gradually blur together, turning into a series of images. The diversity and fleeting nature of modern society have caused them to lose their sense of time and connection.

Luggage? Check. Travel document? Check. Keys? Check. The Year is 2040 and Ching is all set to embark on a mission to track the whereabouts of a dog and its owners which will transport her back in time before she was even born. In 2013, an age of mobile phones and Google Maps, the time-traveller meets a painter and piques his curiosity to join in her quest. Can she reach the parents she never had the chance to get to know and will he find a purpose in life after tempting fate and death? Will the mementos of their brief encounter – a painting that crystallises the artist’s feelings for her and a keepsake pendant that has been passed down for generations – survive the time and reconnect the two?

High school student Faye leads a lonesome life, being bullied at school and her family living abroad. She keeps a distance from people, including her classmate Yiu whom she secretly admires. Yearning for love and desperate to break away from her mundane life, Faye becomes a part-time girlfriend named “Sushi”. A delicate dish on the sushi conveyor belt, Faye is coveted and manipulated by the assortment of men who seek her services. Her life is further complicated when Yiu suddenly confesses his affection for her on the phone. Navigating the tumultuous journey of love, will Faye finally be able to lift herself up, take the lead and find her way?