Exercises to see God

A portrait of the disenchanted youth of the city of Tolyatti, once a symbol of Soviet progress and the automobile, now devastated by economic decline. Laura Sistero encounters an aimless young generation, who express their dreams of escape through crazy races in old patched-up Ladas. A cinematic object is propelled by spectacular skids to the rhythm of an electro-rock soundtrack.

In this short film, M.A. Blanca, together with the co-director Jordi Díaz Fernández, continues to explore the visual style of Quiero Lo Eterno, and also partially retakes the reflection on the impact of the human being in the environment through technology, solitude, death... and taxidermy.

Aragon, Spain. After living through her parents' divorce, Mar arrives in the summer in a mysterious town where she is fascinated by the horrifying stories about the Civil War and its terrible consequences told by members of a group of teenagers who seem to live according to rules that are strange to her.

After crossing the fence from Morocco into Melilla, Ihsane is sent to the Divina Infantita reception centre run by nuns for unaccompanied girls, where she meets Asia, Mounia and Nuhaila. Hamza is turning 18 and has to leave La Purísima reception centre for unaccompanied boys. Although they all arrived alone, they have found a new family in the form of the NANA dance company.

In the summer of 1961, a group of young Italian anthropologists made a clandestine journey through Spain, in order to record popular songs that supported anti-Franco resistance. As a result of their work, they were prosecuted and their recordings were censored. Sixty years later, and guided by Emilio Jona, aged 92, the last living member of that group of travellers, we recover the unpublished recordings and reconstruct the journey, today, across an emotional and political landscape, regaining historical memories through these songs, as relevant today as they were then.

Suso and Manuel, two-parent family and lifelong friends, met fifty years, they become unemployed. When the situation is no longer tenable, an unusual fact: one day, while fishing, find a package with ten kilos of cocaine.

Berta Prieto and Belén Barenys write, together with Miguel Ángel Blanca (Magaluf Ghost Town) this series about the vital moment of a generation, of which five episodes will be screened. Autodefensa is about two friends who have a great time together without having to ask anyone's permission. The film is about being in your twenties, living in Barcelona and wanting to step over every possible emotional red line to discover who you really are. It's about the adventures of two cheeky lunatics who don't want anyone to tell them how to do things, creating their own world in order to be queens. Actually, Autodefensa is about two girls who are really scared and having fun in self-defence. They say they're sorry, it was all 'self-defence', they were just too scared.

Sito hates the countryside, the smell of slurry and his village life, but he has never left the rural area where he was born, nor does it seem that the possibility of doing so can end his discomfort. Attracted by a strong desire towards the male erotic, Sito lives immersed in a crusade to destroy the stimuli that connect him with those repressed feelings that he has latent inside him. From these circumstances, violence appears uncontrollably.

The gang advances through the darkness of an abandoned city. While the world asks for help, they only seem troubled by destroying the past and burning the roots. They dream of being the primal generation and not belonging to anything. They want to be the new art, to find eternity and finally to disappear. Teenagers, lo-fi science fiction, nihilism, and to cross to the other side.

At the height of the summer tourist season, the Spanish beach town Magaluf turns into a hellscape of the low-cost travel industry. For eight weeks every year, over one million mostly British vacationers ride an alcohol-soaked tide of public urination, fisticuffs and ambulance sirens for recreation. Instead of assembling a clip-reel of "balconing," when drunk idiots jump into hotel pools from their balconies, filmmaker Miguel Ángel Blanca crafts a far deeper and atmospheric look at a place where visitors and locals alike are driven by pleasure. Long-time resident Maria has little time left, so she takes in a seasonal lodger who listens to her relive her glory days. An enterprising real estate agent peddles an extravagant development, while a young gay man drifts without any plans beyond robbing a tourist for kicks. Part ghost story, part foreboding parable, this is a stylish and vivid impression of people and a place dreaming of escape. Myrocia Watamaniuk (Hot Docs)

After carrying the silence of a teenage abortion for years, filmmaker Marta Duran Lozano gathers the anonymous testimonies of women who have lived through similar experiences. Alongside teenage girls who have recently had abortions, she embarks on a collective creative process, revisiting, embodying, and reimagining these intimate stories.

A science fiction tale about inhabiting other life forms and the legitimate right to be dysfunctional. Somewhere between ethnographic first-person documentary, Grand Theft Auto and end-of-the-world everyday life, here is the survival diary of someone trying to communicate in vain, whoever is on the other side.

Claudia, a ten-year-old girl, leaves with her family to spend the weekend out of town. During their car trip, they decide to take a short rest at an abandoned gas station. The appearance of a strange woman will reveal her true fate to Claudia.

Júlia arrived some time ago in Glasgow fleeing from Barcelona; she wanted to start from scratch. Years have passed and she seems stuck: in the mornings she tries to pursue her career as a photographer, at night she cleans dishes in a restaurant. One afternoon, while taking portraits of pedestrians crossing a bridge, one of her eyes begins to fail. As illness begins to spread Júlia will begin a search into the past to the depths of Glasgow and its history. The river will carry her towards a memory: the day she met a mysterious group of men who pulled objects from the depths of the water and among them a strange Indian boy, Shubham, who also came to the city from far away in search of a new life.

Thoughts, sometimes just numbers, reach us from offscreen almost like music, like a mantra or a prayer. What we see are circular fragments from familiar spaces: a mirror, a magnifying glass. A day like any other day: without medication, or perhaps better with? A film like the investigation of an uncertainty principle: do we really see better with a magnifying glass? A face scratched out of the family album: the gap is draped with flowers and cut-out pictures of clothes and finally filled again by a drawing.