As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty

A film collage tracing the story of the lives, loves, and deaths within the artistic community surrounding Jonas Mekas.

An experimental short by Beth B. It consists of rapidly intercut close-ups of talking heads reading statements from a Sigmund Freud case history; affidavits attesting to the atrocities of Dr. Josef Mengele, the Nazi war criminal; and journals from the trial of New Yorker Joel Steinberg, accused of killing his adopted daughter.

Jonas Mekas reflects on a 1966 trip to Avignon that offered solace during a period of personal crisis. Combining diary texts read by Angus MacLise with images of place and memory, the film becomes a lyrical meditation on pain, survival, and the restorative power of reflection.

Also known as Walden, Jonas Mekas’s first diary film is a six-reel chronicle of his life in 1960s New York, interweaving moments with family, friends, lovers, and artistic idols. Blending everyday encounters with portraits of the avant-garde art scene, it forms an epic, personal meditation on community, creativity, and the passage of time.

Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.

Jonas Mekas’s film captures The Living Theatre’s stage production of The Brig, an unflinching portrait of life inside a U.S. Marine Corps jail in Japan in 1957. Over the course of a single day, prisoners endure relentless drills, abuse, and dehumanization, exposing the brutality of military discipline with stark immediacy.

Jonas Mekas’s intimate diary film spans 1963 to 1990, capturing Andy Warhol alongside friends and collaborators from the New York avant-garde. Featuring figures such as Allen Ginsberg, John Lennon, Yoko Ono, and George Maciunas—as well as rare footage of the Velvet Underground’s first performance—it offers a personal portrait of Warhol’s world and his intersections with art, music, and counterculture.

"Consisting of a poetic stream of razor-sharp images, the overt content of SENSELESS portrays ecstatic travelers going to pot over the fantasies and pleasures of a trip to Mexico... highly effective cutting subtly interweaves the contrapuntal developement of themes of love and hate, peace and violence, beauty and destruction."-- David Brooks.

In memory of the Japanese earthquake on 3.11, each director presents a 3 minute and 11 second short film in tribute to those who were lost that day.

Filmed during a visit to Jerome Hill in Provence, Jonas Mekas sets his Bolex to capture a single day overlooking the port of Cassis. Shot frame by frame from morning to sunset, the film distills shifting light and color into a quiet meditation on time, place, and perception.

Adaptation of an avant-garde play about Rhoda, a hysterical heroine who feels oppressed by the people around her. She suffers through her birthday party, goes to see a doctor, plans a vacation, argues a lot and even breaks the fourth wall.

Since 1995, the Viennale has invited renowned directors to create short, one-minute films as personal contributions to the festival. Ranging from home movies to political essays, musical sketches to abstract studies, these “little films” form a unique anthology of cinematic moments. 20 Little Films collects a selection of these works, premiering together for the Viennale’s 50th anniversary at the Locarno Film Festival.

Visionary artist Matthew Barney returns to cinema with this 3-part epic, a radical reinvention of Norman Mailer’s novel Ancient Evenings. In collaboration with composer Jonathan Bepler, Barney combines traditional modes of narrative cinema with filmed elements of performance, sculpture, and opera, reconstructing Mailer’s hypersexual story of Egyptian gods and the seven stages of reincarnation, alongside the rise and fall of the American car industry.

Filmmaker Jonas Mekas follows his friend, film director Martin Scorsese, and his cast and crew, through various locations during the shooting of his film The Departed, released in 2006.

Jonas Mekas captures an afternoon in New York as a Hare Krishna group fills the streets with chanting and song. Filmed with his characteristic freewheeling style and later incorporated into Walden, the short stands as an impressionistic sketch of spiritual fervor and Mekas’s participatory approach to cinema.

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.