Adolfas Mekas

Barbara, a young woman consumed by despair, contemplates suicide, while a man she meets in a church and a married couple struggle to persuade her that life is still worth living. Mekas’s film weaves this intimate drama into a larger reflection on alienation, politics, and the turbulence of early 1960s America.

A home movie by Adolfas Mekas and wife Pola Chapelle on their travels to Lithuania and Europe. It was filmed concurrently with the more highly regarded “Reminiscences of a Journey to Lithuania” by Jonas Mekas, brother to Adolfas.

Jonas Mekas’s film captures The Living Theatre’s stage production of The Brig, an unflinching portrait of life inside a U.S. Marine Corps jail in Japan in 1957. Over the course of a single day, prisoners endure relentless drills, abuse, and dehumanization, exposing the brutality of military discipline with stark immediacy.

An Adolfas Mekas directed short parodying Italian art films of the time. It was created for use in a scene of the Broadway musical, "Skyscraper," starring Julie Harris and Peter Marshall, with a book by Peter Stone, music by Jimmy Van Heusen and lyrics by Sammy Cahn.

Interesting and sometimes funny adaptation of a Mark Twain short story. Hatfield is a carpetbagger who marries the daughter of a prominent plantation owner in order to humiliate him. He mistreats his wife, but she stoically refuses to complain to her father.

Arthouse portraiture of a disestablishmentarian during his six-year draft dodge.

International Cast of Actors: Jonas Mekas, from Lithuania, poet and film-maker; Louis Brigante, from Madagascar, poet and publisher; Storm De Hirsch, from Holland, poetess, seer and film-maker; Pola Chapelle, from Tierra del Fuego, singer and motel operator; Adolfas Mekas, from Lapland, basket weaver and film director; Contessa Angela Maria Andrecci di Castiglione, from Italy, opera singer.

An experimental film directed by author Samuel R. Delany

A fable about an old man with an odd effect on those he encounters.

An attractive youth counselor must resort to murder in order to be free from her sordid past.

Jonas Mekas zoomed in from a completely different angle for his Time & Fortune Vietnam Newsreel. This fake interview with ‘Lapland’s Minister of Foreign Affairs’ brings an outsider’s perspective to bear on the US war, and discusses with ironic perplexity if it might not be possible to kill off the Viet Cong more cheaply. For, whilst white students in the US primarily took issue with the war in South-eastern Asia, African-Americans remained predominantly concerned with their own situation. For them, daily discrimination at home and the Vietnam War were simply two faces of the same racist coin

Jack and Leo vie for the affections of Vera – who appears a little differently to each man – over the course of a series of energetic sketches, flashbacks and homages.

A feature documentary about Cuba’s youth: the student, the worker, the peasant, the teacher, the soldier. These young compañeras and compañeros illustrate what the Cuban Revolution is really all about as they discuss their thoughts on the revolution, theories on guerrilla warfare, commitment to building Che’s “New Man”, and camaraderie with those fighting for change across the globe.

Biker Click procures lovely willing young women for decadent millionaire playboy Kendall Harvey III. Kendall sets his sights on Peggy Johns as his next conquest, but the married and straight-laced Peggy turns down his proposal. However, after her husband's advertising business finds itself in a financial slump, Kendall offers to help out but only if Peggy agrees to be his intimate companion for two days.

Adolfas starred in, directed, and edited this Vietnam comedy, produced by Pola Chapelle and shot by Jonas Mekas.

A ramshackle underground SF satire set and shot in the self-absorbed art world of lower Manhattan, written, produced, and directed by Joe Gibbons, who also plays one of the lead parts. Gibbons plays a mad scientist who's developed a technique for transferring personalities from one person's body to another; he becomes obsessed with an outlaw artist (played by performance artist Karen Finley) who destroys paintings in various galleries as a form of anarchist, anticapitalist protest.

Caldwell's pulp storytelling, proto-feminist stance and unabashed social dramatization of his characters are a distinct vision of the condition of women -- specifically working class women. His broadly drawn themes of small town hypocrisy and restrictive moral values contextualize the titular characters' struggle for sexual expression, stability and independence. Certain Women is a disconcerting parable that pays tribute to but also defies the 50s period style of Caldwell, opting for contemporary small town situations and cinematic style. This cautionary tale of four heroic yet ordinary women is fashioned out of the past but relies on observations of the present historical moment and its political reality.