Andrea 1973

The movie follows a group of children living in the streets in the city of Buenos Aires. The only day center working is the CAINA (Centro de Atención Integral a la Niñez y Adolescencia) an institution that assists and shelters street children.

MUNDIAL 78 is a humorous depiction of the controversial 1978 football World Cup that took place during the Argentinian dictatorship

Images from the texts of Rumi, 13th century Sufi poet.

The Aleph is the point where diachronic and synchronic times meet, and each second represents a moment in life, from birth to death.

This documentary is an approach to the experience of seeing and listening to the trajectory of Narcisa Hirsch, a pioneer of Argentine experimental cinema, but who has also been part of the happenings and performances of the 1960s and 1970s.

on the image of a collage on the wall, the voice of a woman describes a man the interior space of a workshop that is not seen.

Marabunta, a ceremony in collective anthropophagy involving a six-meter skeleton completely covered in fruit and food, inside of which were live doves and parrots painted with phosphorescent colors that flew out as people were eating.

Twins still in their amniotic fluid announce our human condition, our compulsion to walk, move forward, run. When everything moves, we go through the forest of emotions in a dreamlike way. But it is thanks to water and its light reflections, to its transforming power that the infinite “Kosmos” plays with our uncertainty.

A portrait of Narcisa Hirsch, Argentine filmmaker, pioneer of experimental cinema. The artist explores the path of her memories, where the traces of some men appear, which are transposed with the constant reference to the desert.

"The world is a tarantula ... a big, dark tarantula, moving around weaving its own web." A journey into myths and origins of the world with the grand dame of Argentine avant-garde cinema. See the Earth as it really is: A marble spinning in a sea of eternity.

A tribute to Virginia, a 23-year-old girl who apparently committed suicide in Ibiza. Excerpts from her letters to Narcisa, written on the walls, appear in the film as a leitmotif.

An unpublished piece by this pioneer of experimental cinema with the participation of Elías Cherñajovsky and Sergio Levin.

Portrait of women where they look at the images of their own faces and reflect on that experience.

Patagonia reflects Hirsch's close connection to Argentina’s natural world and the people around her.