Ana, ¿Dónde Estás?

The movie follows a group of children living in the streets in the city of Buenos Aires. The only day center working is the CAINA (Centro de Atención Integral a la Niñez y Adolescencia) an institution that assists and shelters street children.

MUNDIAL 78 is a humorous depiction of the controversial 1978 football World Cup that took place during the Argentinian dictatorship

The Aleph is the point where diachronic and synchronic times meet, and each second represents a moment in life, from birth to death.

This documentary is an approach to the experience of seeing and listening to the trajectory of Narcisa Hirsch, a pioneer of Argentine experimental cinema, but who has also been part of the happenings and performances of the 1960s and 1970s.

on the image of a collage on the wall, the voice of a woman describes a man the interior space of a workshop that is not seen.

Twins still in their amniotic fluid announce our human condition, our compulsion to walk, move forward, run. When everything moves, we go through the forest of emotions in a dreamlike way. But it is thanks to water and its light reflections, to its transforming power that the infinite “Kosmos” plays with our uncertainty.

"The world is a tarantula ... a big, dark tarantula, moving around weaving its own web." A journey into myths and origins of the world with the grand dame of Argentine avant-garde cinema. See the Earth as it really is: A marble spinning in a sea of eternity.

A portrait of Narcisa Hirsch, Argentine filmmaker, pioneer of experimental cinema. The artist explores the path of her memories, where the traces of some men appear, which are transposed with the constant reference to the desert.

A tribute to Virginia, a 23-year-old girl who apparently committed suicide in Ibiza. Excerpts from her letters to Narcisa, written on the walls, appear in the film as a leitmotif.

Narcisa Hirsch was born on 16 January under the sign of Capricom. These diaries labelled Capricorn 78 show an approach to everyday life with unusual tenderness and beauty; a baby bird that a child lovingly cares for; a calf being born: cats and dogs: a house in the snow; a fire, Narcisa on the grass; Narcisa swimming; a full life.

Happening by Narcisa Hirsch, where she gives free apples in the street while we hear passersby's comments.

An unpublished piece by this pioneer of experimental cinema with the participation of Elías Cherñajovsky and Sergio Levin.

The camera takes in the Patagonian pastures, then the faces in an old warehouse, and transparent photos of Patagonian scenes. Everything is filtered by an amber light. (Narcisa Hirsch Filmoteca)

"Academia del fracaso" is a speculative aesthetic fact of a polemic nature, as Marta Minujín explains when she talks about her work. Portrayed in this film explaining the functioning of her participatory performance in 1974, the artist extends herself to reflect and talk about some things, many things, that make up the world and its ideas.

Women in different situations of life, accompanied occasionally by images of nature. Men appear alone in different roles, like a ski athlete, a musician, and a judge, the latter, in a scene from Dreyer's film The Passion of Joan of Arc (1928).