Marabunta

The movie follows a group of children living in the streets in the city of Buenos Aires. The only day center working is the CAINA (Centro de Atención Integral a la Niñez y Adolescencia) an institution that assists and shelters street children.

The dialogue of a woman with herself split into two unknown opposites.

The Aleph is the point where diachronic and synchronic times meet, and each second represents a moment in life, from birth to death.

This documentary is an approach to the experience of seeing and listening to the trajectory of Narcisa Hirsch, a pioneer of Argentine experimental cinema, but who has also been part of the happenings and performances of the 1960s and 1970s.

A mixture of abstract images and, as if out of a Man Ray painting, a large mouth in the foreground with red lipstick slowly devours a raw liver and then goes on to eat a postcard. Meanwhile, romantic Neapolitan songs play in the background. As Andrea Giunta says: At the same time they function as a hyperbole of the feminine in a register impregnated with pop aesthetics (they are perfect lips and make-up), but in which the flesh introduces an element of deep transgression, with scatological tensions.

on the image of a collage on the wall, the voice of a woman describes a man the interior space of a workshop that is not seen.

Twins still in their amniotic fluid announce our human condition, our compulsion to walk, move forward, run. When everything moves, we go through the forest of emotions in a dreamlike way. But it is thanks to water and its light reflections, to its transforming power that the infinite “Kosmos” plays with our uncertainty.

"The world is a tarantula ... a big, dark tarantula, moving around weaving its own web." A journey into myths and origins of the world with the grand dame of Argentine avant-garde cinema. See the Earth as it really is: A marble spinning in a sea of eternity.

A portrait of Narcisa Hirsch, Argentine filmmaker, pioneer of experimental cinema. The artist explores the path of her memories, where the traces of some men appear, which are transposed with the constant reference to the desert.

"Academia del fracaso" is a speculative aesthetic fact of a polemic nature, as Marta Minujín explains when she talks about her work. Portrayed in this film explaining the functioning of her participatory performance in 1974, the artist extends herself to reflect and talk about some things, many things, that make up the world and its ideas.

Portrait of women where they look at the images of their own faces and reflect on that experience.

"the speed of time dissolves thought"

Documentary about Jewish colonizers in Argentina.

“ Cinema is what happens between frames," said German experimental filmmaker Werner Nekes. A woman and a man are on the ground together but it looks as though they are floating without moving. Silence overruns the scene; she stops and walks away. La Noche Bengalí is a documentary made as part of the seminar that Wernes Nekes held in Buenos Aires in 1980, sponsored by the Goethe Institute.